Pluribus Review: Breaking Bad Creator Vince Gilligan's Return To TV Was Worth The Wait
"Pluribus" is at once mysterious, frightening, thrilling, and hilarious, and Rhea Seehorn delivers one of the year's must-see performances.
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Death By Lightning Review: A Sharp And Engaging Political Drama That Captures Lightning In A Bottle
Michael Shannon and Matthew Macfadyen put in top-tier performances as a forgotten president and his assassin in Netflix's "Death by Lightning."
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All Her Fault Review: A Gripping, Paint-By-Numbers, And Unexpectedly Emotional Thriller
Peacock's "All Her Fault," based on Andrea Mara's thriller novel, is bolstered by great acting from Dakota Fanning and Sarah Snook.
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Die My Love Review: Jennifer Lawrence Carries Lynne Ramsay's Frustrating Drama
Jennifer Lawrence is unquestionably the best part of "Die My Love," which suffers from a script that doesn't go anywhere.
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Predator: Badlands Review - This Kid-Friendly Sequel Still Serves Some Thrills
"Predator: Badlands" manages to be an entertaining entry into the franchise despite some distracting crossover references.
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Hazbin Hotel Season 2 Review: Worth Checking Into For A More Streamlined Story
"Hazbin Hotel" Season 2 is full of what fans have come to love about the show: catchy songs, creative animation, and crude humor.
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It: Welcome To Derry Review - A Joyless Return To Stephen King's Horror World
"It: Welcome to Derry" is far from being the worst show of the year, but it's too similar to other series in its genre for it to stand out in any real way.
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Good Fortune Review: Funny And Poignant But Doesn't Stick The Landing
Aziz Ansari's directorial debut "Good Fortune" is a fun time, even if the ending leaves something to be desired.
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Springsteen: Deliver Me From Nowhere Review - This Soulless Music Biopic Is Perplexingly Bad
If anything, "Springsteen: Deliver Me From Nowhere" is proof that Hollywood should move on from its music biopic phase.
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Shelby Oaks Review: Chris Stuckmann's Horror Mystery Slowly Falls Apart
Chris Stuckmann's "Shelby Oaks" starts off with some promise, but the ending completely misses the mark.
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Black Phone 2 Review: The Scariest Dreamscape Since Nightmare On Elm Street
Despite some cringey dialogue, "Black Phone 2" is a great follow-up to the original supernatural horror film.
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Bugonia Review: Emma Stone's Latest Yorgos Lanthimos Film Is Weird, Tense, And Brilliant
"Bugonia" is intense and jaw-dropping, and just may be Yorgos Lanthimos' best movie yet.
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Is This Thing On? Review: Bradley Cooper's Mid-Life Crisis Comedy Is Cute But Forgettable [NYFF 2025]
"Is This Thing On?" isn't groundbreaking, but it's a fun watch with some good performances.
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The Last Frontier Review: Jason Clarke Shines In An Uneven Apple TV+ Series
Apple TV+'s "The Last Frontier" has so much going on that it ultimately suffers for it.
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The Woman In Cabin 10 Review: This Silly Thriller Leaves Its Cast Lost At Sea
"The Woman in Cabin 10" should be approached as the mindless fun it is, not a modernization of a classic genre formula.
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After The Hunt Review: Julia Roberts Stars In A #MeToo Drama That Wastes Its Potential [NYFF 2025]
It's difficult to regard "After the Hunt" as anything other than a disappointment and a waste of talent.
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Boots Review: This Netflix Original Is High-Energy, Hilarious, And Heartwarmingly Emotional
Netflix's "Boots" is a touching series with humor and heart, and may just be one of the best original shows from the streamer in a while.
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Tron: Ares Review - Jared Leto's Disney Movie Is All Style, No Substance
What "Tron: Ares" lacks in its characterization and script, it makes up for with its killer soundtrack and action sequences.
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Good Boy Review: A Brilliant Horror Movie From A Dog's POV
The set pieces in "Good Boy" are well constructed, but their impact pales next to a haunting, moving story about a dog and his owner.
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Anemone Review: Daniel Day-Lewis Shines In An Otherwise Dull Drama [NYFF 2025]
Daniel Day-Lewis returns to acting in "Anemone" with a great performance that stands out from this slow, repetitive film.
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Marvel Zombies Review: The Goriest MCU Project Yet Is Still Just A Trifle
"Marvel Zombies" is fun in a passing, forgettable sort of way, with an animation style that still skews to an ugly and cheap-feeling aesthetic.
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The Strangers — Chapter 2 Review: A Strangely Entertaining Sequel To A Terrible Slasher
"The Strangers — Chapter 2" improves upon its predecessor, departing from the slasher formula to deliver more of an intense survival thriller.
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Him Review: A Watchable But Ultimately Forgettable Horror Flick
"Him" had the potential to be a really unique film, but unfortunately it just seems to repeat a lot of recent horror movie ideas.
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Wake Up Dead Man: A Knives Out Mystery Review – Benoit Blanc's Most Elaborate Case Yet [TIFF 2025]
We wouldn't call "Wake Up Dead Man: A Knives Out Mystery" the best of the series, but it solidifies the franchise's record for consistent entertainment.
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Hamnet Review: An Achingly Beautiful Monument To Love And Grief [TIFF 2025]
Chloé Zhao's "Hamnet," based on the book by Maggie O'Farrell, is a stunning meditation on life and loss led by a terrific cast.
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Gen V Season 2 Review: Tighter Plot, But Less Of The Raunch Fans Loved
Season 2 of "Gen V" isn't nearly as raunchy as last season, but it still has plenty of graphic content to both gross you out and make you giggle.
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Eternity Review: A Whimsical Afterlife Rom-Com With Heart [TIFF 2025]
"Eternity" is a rich, textured production that has far more depth than audiences might expect.
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