Rick (Andrew Lincoln) and Michonne (Danai Gurira) return in "The Walking Dead: The Ones Who Live," years after both characters departed the AMC zombie series.
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"Lisa Frankenstein" is an energetic, delightfully macabre production that might just be one of the most surprisingly entertaining of 2024.
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Donald Glover and Maya Erskine kick butt and make out in the Amazon Prime TV remake "Mr. and Mrs. Smith," but the show is less electrifying than its stars.
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Matthew Vaughn's new spy caper "Argylle" gets lost in its own twists and fakeouts, leaving little for viewers to really care about.
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Steven Soderbergh's ghost story "Presence," told from the spirit's POV as it haunts a house, premiered at Sundance and stars Lucy Liu and Chris Sullivan.
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Starring River Gallo and Dylan O'Brien, Sundance's "Ponyboi" is a riveting crime film that faithfully portrays an intersex character on the big screen.
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Sam and Andy Zuchero's "Love Me" is ambitious and creatively-shot, but gaps in logic make it hard to empathize with the characters.
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For World War II enthusiasts, "Masters of the Air" will probably be a hit. But viewers with less of a draw to the period may find it harder to connect with.
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From "Captain Marvel" directors Anna Boden and Ryan Fleck, "Freaky Tales" is a fun, confident anthology movie about Oakland underdogs. It premiered at Sundance.
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Jason Statham floats like a butterfly and stings like a bee in David Ayer's otherwise horribly bland and rote new action film, "The Beekeeper."
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The original "Mean Girls" shook the world when it premiered in 2004. The 2024 musical remake can't measure up, but Reneé Rapp kills it as the new Regina George.
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"Echo" is made with more care than any Marvel project of late, but at this point in the ongoing saga, that alone is not enough to get us back on board.
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"True Detective: Night Country" is a spellbinding, beautifully dark drama that stands on its own, and is likely one of the best TV series we'll see all year.
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There are traces of a better movie in "Night Swim," and as bad movies go, it's not offensively bad. But you can safely skip this.
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Andrew Haigh's "All of Us Strangers" grapples with grief, loss, and loneliness in a profound way, tackling its themes while avoiding trite narrative devices.
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"Aquaman and the Lost Kingdom" is far from the disaster that some predicted, but James Wan's DC superhero sequel still sinks more than it swims.
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Blitz Bazawule takes a stab at the musical version of "The Color Purple." The 2023 musical has plenty of drama, music, and dancing, but it doesn't all cohere.
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Zack Snyder's Netflix space western "Rebel Moon" might be imitating "Star Wars" and "Seven Samurai," but it's so bold that it has to be seen to be believed.
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Disney's "Percy Jackson and the Olympians" has unmistakable promise, adapting the Rick Riordan books into a likable, energetic fantasy series.
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Zac Efron plays the cursed wrestler Kevin Von Erich in Sean Durkin's "The Iron Claw," an A24 release about the most tragic family in wrestling history.
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Bradley Cooper and Carey Mulligan command the screen in "Maestro," a powerful and visually astonishing Netflix biopic about composer Leonard Bernstein.
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With "Poor Things," Yorgos Lanthimos reunites with "The Favourite" star Emma Stone for a new fantastical, arch, feminist riff on "Frankenstein."
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Cord Jefferson's exceptional directorial debut, "American Fiction," features a dazzling performance from Jeffrey Wright and some sharp satire.
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Paul King's confectionary prequel "Wonka" is nowhere near as bad as the previews look - in fact, it's a joy, in no small part thanks to Timothée Chalamet.
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"Leave the World Behind" would have been better without its many twists and turns that ultimately leaves the viewer out of patience.
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The Artful Dodger, played magnificently by Thomas Brodie-Sangster, rules the screen in his new Australian medical drama series, now streaming on Hulu.
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Cheaper, meaner, and more complicated than the American "MonsterVerse" titles, the new Japanese film "Godzilla Minus One" is a satisfying, fearsome blockbuster.
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