Alistair Ryder
Location
Manchester, United Kingdom
School
Leeds Trinity University
Expertise
British Cinema And Pop Culture, The History Of Horror Movies, Awards Season
- Alistair has gotten the chance to interview major names including Woody Harrelson, Steven Spielberg and the cast of Jackass.
- He attends major international film festivals as a member of the press, including Cannes and Sundance.
- Alistair has been a member of GALECA, an organization for LGBTQ film and TV critics, since 2017.
Experience
Alistair is a film critic and culture writer based in Manchester, England. He's currently Deputy Editor of The Lowdown, Zavvi's monthly magazine, where he has had the chance to interview major names. In addition to writing for Looper and Zavvi, he can be found sharing his thoughts on the latest films regularly over on The Film Stage. However, don't ask him what his favorite films are: He submitted a ballot as part of the 2022 Sight & Sound poll and already disagrees with many of the choices he made.
Education
Alistair studied Journalism at Leeds Trinity University and worked for a newspaper in the UK before finding his calling in the glamorous world of entertainment journalism.
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Stories By Alistair Ryder
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There's an intoxicating messiness to "The Sympathizer," but the nihilistic worldview makes it all coalesce into a coherent character study by its close.
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It's hard to care about the Spengler family saving the day when "Ghostbusters: Frozen Empire" aims to quickly brush off whatever growth they have.
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Netflix's "Avatar: The Last Airbender" is overall an unsatisfying series, regardless of your prior familiarity with the franchise.
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With great power comes great camp, as "Madame Web" - starring Dakota Johnson as the titular Marvel character - continues Sony's Spider Man-less Spider-Verse.
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"Echo" is made with more care than any Marvel project of late, but at this point in the ongoing saga, that alone is not enough to get us back on board.
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"Aquaman and the Lost Kingdom" is far from the disaster that some predicted, but James Wan's DC superhero sequel still sinks more than it swims.
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Zack Snyder's Netflix space western "Rebel Moon" might be imitating "Star Wars" and "Seven Samurai," but it's so bold that it has to be seen to be believed.
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Zac Efron plays the cursed wrestler Kevin Von Erich in Sean Durkin's "The Iron Claw," an A24 release about the most tragic family in wrestling history.
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"Leave the World Behind" would have been better without its many twists and turns that ultimately leaves the viewer out of patience.
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"The Hunger Games: The Ballad Of Songbirds and Snakes" is a gripping prequel with a great cast, but the love story is the least interesting aspect of the film.
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Sofia Coppola's A24-distributed "Priscilla" tells the story of Elvis Presley (Jacob Elordi) through the eyes of his wife, Priscilla Beaulieu (Cailee Spaeny).
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Blumhouse Productions' long-awaited "Five Nights at Freddy's" film from director Emma Tammi brings the haunted pizzeria and its animatronic inhabitants to life.
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Netflix's "Big Mouth" finally pushes the characters forward in Season 7, though it's hard to shake the feeling the show has run its course.
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David Gordon Green's first installment in a new "Exorcist" reboot trilogy, "The Exorcist: Believer," amounts to little more than reheated pea soup.
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Gareth Edwards' sci-fi epic "The Creator" boasts some of the most spectacular shots and visual effects in ages, but the story leaves a lot to be desired.
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The oldest-looking high schoolers on television return with Season 4 of Netflix's "Sex Education," and its cast of sexually liberated teens finally graduate.
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Peacock's "The Continental: From the World of John Wick" might be a prequel to the "John Wick" franchise, but the series is unfortunately light on action.
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Despite being miscast as someone decades younger than himself, Gael García Bernal is a show-stopper in "Cassandro."
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Kenneth Branagh's adaptation of the Poirot mystery "A Haunting in Venice" is much less zany than its predecessor, but that's not necessarily a good thing.
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"The Morning Show" returns to Apple TV+ for Season 3, with Jennifer Aniston and Reese Witherspoon's characters joined by Jon Hamm's enigmatic billionaire.
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Trying to be an R-rated take on "Homeward Bound," the Will Ferrell dog comedy "Strays" becomes an endurance test even at a relatively brisk 93 minutes.
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Netflix's "Heart of Stone" may have beats similar to "Mission: Impossible," but it is nowhere near as entertaining or impressive.
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Neill Blomkamp's "Gran Turismo" film adapts the true story of a gamer who becomes a professional racer, but it's a shameless feature-length commercial.
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Barbenheimer gave us a great unlikely double feature. Here are 22 other films that opened against each other. Gremlinbusters! The Dark Mamma Mia! Drag Me to Up!
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"Talk to Me" is certainly horrifying, but it has enough humor and heart to ensure it never becomes a purely nihilistic experience.
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"No Hard Feelings" isn't a throwback so much as a sign of how gross-out sex comedies have matured in the years since "Superbad" and "The 40-Year-Old Virgin."
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Joe and Anthony Russo continue their streak of underwhelming post-Marvel projects, though director Sam Hargrave pulls off some incredible action.