House Of Gucci Review: Catastrophic Couture
"House of Gucci," like the high-end fashion it often displays, is all the more charming for its flaws and questionable creative decisions.
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Funny Pages Review: An Anxiety-Inducing Coming Of Age Comedy
Owen Kline's directorial debut, Funny Pages, is not a cringe-comedy so much as it is a full-body squirm one, but here's why it left us wanting so much more
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The Beatles: Get Back Review: Reality Leaves A Lot To The Imagination
Not so much a film as an immersion, Peter Jackson's "Get Back" is unlike anything you've seen before.
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The Invitation Review: Whites Only Wedding
In The Invitation, Nathalie Emmanuel stars as a grieving young woman whose search for family leads her to a gothic wedding that is not what it appears to be
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8-Bit Christmas Review: Nostalgia's Punch Out
"8-Bit Christmas" may seem a little crudely constructed at times, but it's as comforting as turning on an old video game.
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Clerks III Review: Back Behind The Register
Kevin Smith finds something special again in Clerks III, which attempts to blend the indie nature of his early films with the strangeness of more recent work
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Benedetta Review: Trying To Get Chose
Anyone coming for this flick with pitchforks is just missing the point.
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Silent Night Review: Last Christmas
"Silent Night" works a peculiar dark magic, leaving an impression that won't soon fade.
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Don't Look Up Review: Too Close To Home?
It's exactly the sort of movie no one wants to watch on the eve of Pandemic Year Three... which is exactly why it's so necessary.
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Barbarian Review: Surprise And Delight
"Barbarian" is initially presented as a two-hander about a double Airbnb booking but ultimately offers so much more twists and genuine surprises to viewers
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Being The Ricardos Review: Sorkin Loves Lucy
"Being the Ricardos" feels like a natural fit for Sorkin, another in his ever-expanding line of stories about brilliant people embroiled in turmoil.
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The Woman King Review: Entertaining, Even If Historically Questionable
As a work of entertainment, The Woman King is a solid war film with strong production values and great performances, but its take on history is a mixed bag
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West Side Story Review: Divided We Fall
"West Side Story" is one of the most enchanting and entertaining filmgoing experiences of the year.
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The Fabelmans Review: Spielberg Delivers Laughs, Tears, And Cheers
The Fabelmans lives up to the hype -- even if it's not Steven Spielberg's best ever, it's the deeply personal work of a master filmmaker who loves his craft
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Spider-Man: No Way Home Review: Petered Out
"Spider-Man: No Way Home" is a movie that is so much fun, it doesn't need to be good.
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The King's Man Review: In The Before Times
"The King's Man" departs from its predecessors in a big way. Is this a good or a bad thing?
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Glass Onion: A Knives Out Mystery Review: A Clever Crowd-Pleaser
Rian Johnson's Glass Onion: A Knives Out Mystery is near-perfect, telling a very different story but capturing the same playful contempt for social elites
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The Matrix Resurrections Review: A Hard Pill To Swallow
It's no wonder we're all still chasing that feeling we had the first time we saw the original "Matrix" all those years ago.
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Confess, Fletch Review: A Lease With An Option To Buy
There may never be a remake that wants less to be a remake than "Confess, Fletch," which features Jon Hamm as a wholly new version of the Chevy Chase favorite
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The Tragedy Of Macbeth Review: Fair Is Foul, And Foul Is Fair
The real tragedy of this Macbeth is just how disappointing it is.
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Pearl Review: An X-Traordinary Prequel
Pearl, Ti West's latest film and a prequel to his previous 2022 horror hit, X, is a worthy prequel, reuniting the director with Mia Goth in the title role
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See How They Run Review: Meta Noir
See How They Run luxuriates in the well-worn tropes of the whodunnit genre, thumbing its well-frayed edges with sincerity from Saoirse Ronan and Sam Rockwell
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The Whale Review: Disappointing Drama, Brendan Fraser Blameless
Although Darren Aronofsky's The Whale occasionally touches on the profound, and Brendan Fraser shines in the transformative role, it still lacks in substance
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Coming 2 America Review: From Zamunda 2 Queens All Over Again
It took more than 30 years for Eddie Murphy to star in a "Coming to America" sequel. Was that enough time to come up with a halfway funny script?
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Don't Worry Darling Review: Traditional Values
Apart from a daring performance by Florence Pugh, Olivia Wilde's Don't Worry Darling doesn't have much to show for itself in the way of substance or style
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Jujutsu Kaisen 0 Review: A Solid Gateway And Expansion Into The Hit Anime Franchise
Jujutsu Kaisen 0 is not only a thrilling expansion of the main anime series but one that expertly distills what makes the show stand out in the first place
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