Background Actors Who Wound Up Becoming Noteworthy Stars

Hollywood is a fickle place. One moment an actor can be at the top of the A-list, and then a couple of flop movies can bring them crashing down to the bottom of the heap. But this also works the other way around — an actor can start out doing bit parts and background work until one day they rocket to the A-list in leading roles. 

This latter phenomenon has given us some of the biggest movie stars of all time, who worked their way up the ladder for years, putting in the time playing small, walk-on roles before getting the big break that launched their careers. It's the stuff that dreams are made of, cementing Hollywood's reputation as a place where you can become rich and famous if you're just talented and hard-working enough.

Aside from serving as aspirational stories, the early minor roles of superstars can also make for amusing anecdotes, shared on talk shows after they hit the big time as a way to recall their humble beginnings. Let's take a look at some of the top actors in the film industry who started out as background players before becoming the darlings of the masses.   

On the surface, it might be hard to think of a more unlikely pairing than Sylvester Stallone and Woody Allen. While the former represents larger-than-life Hollywood action blockbusters at their most macho, the latter represents the kind of neurotic intellectualism and bourgeois comedy that typifies a certain kind of small-scale arthouse cinema.

But the duo did meet early in Stallone's career, when Allen was already an established star and Stallone was on the rise. Stallone has a role as a menacing figure on a subway in Allen's 1971 comedy "Bananas." This was far from the only tough-guy-type role Stallone played at the time, as he had similar minor appearances in "Pigeons" (1970), "MASH" (1970), and "The Prisoner of Second Avenue" (1975).

In fact, the actor himself told ABC News, it was partly Stallone's frustration with only being offered minor tough guy roles with little in the way of nuance or emotion that inspired him to come up with his own screenplay for a drama in which he could play the lead part. Thus, the actor wrote "Rocky" and managed to get it made with himself playing the main character. The rest is action movie history — no longer would Stallone have to take up bit parts, or do softcore adult films to make ends meet. 

There are action movie stars, and then are action movie icons. The latter list is much more select, but one name which definitely belongs on it is Clint Eastwood. The man who would go on to become a highly decorated writer and director started out as one of the biggest movie stars in the history of Hollywood, and the face of modern cowboy cinema. 

Well, "started" may not quite be the right word. Before starring in such films as Sergio Leone's "Dollars Trilogy" and the "Dirty Harry" movies, Eastwood was a young hopeful looking for any kind of a break in the entertainment industry. 1955's "Revenge of the Creature" (a sequel to "Creature from the Black Lagoon") became the first movie to feature Eastwood in a minor role as a lab assistant. A bunch of similarly minor or uncredited roles followed throughout the mid-'50s in "Francis in the Navy," "Tarantula," and "Star in the Dust."

A string of supporting roles came next, until Eastwood landed the lead role on the CBS western series "Rawhide," which began to get the tall, tough-looking actor noticed in the entertainment industry. Finally, in 1964 came "A Fistful of Dollars," and Eastwood's onscreen persona as the ultimate gruff cowboy was cemented forever in the role of "The Man with No Name." 

Few actors have had a more difficult road to Hollywood superstardom than Arnold Schwarzenegger. The actor started out his career as a bodybuilder in his native land of Austria. By the time he reached America as a young adult, Schwarzenegger had established a reputation for his massive physique and his thick Austrian accent, both of which prevented him from playing regular roles in film or television.

Still, Schwarzenegger was determined to make a go of it in Hollywood, even if meant working his way up from the bottom of the acting ladder. Thanks to his looks, the budding thespian landed a lead role in 1970's "Hercules in New York." This cheaply produced B-movie failed to make an impact on audiences, and it didn't help that Schwarzenegger's shortcomings as an untrained and inexperienced actor are painfully on display.

Despite not making the impression he had hoped with "Hercules in New York," Schwarzenegger continued auditioning for roles. Then, in 1973, he was then cast in a minor part as a deaf-mute mob hitman in "The Long Goodbye." It was only three years later, thanks to a significant role in "Stay Hungry" that earned him the Golden Globe Award for New Star of the Year – Actor, that Schwarzenegger proved he has what it takes to be a serious actor instead of just playing the silent muscleman.

After decades of lanky cowboys wielding huge revolvers, action movie audiences were ready for something different. A new kind of action hero arose in the '80s and '90s — one with bulging biceps and six pack abs who was capable of mowing down armies of henchmen via punching and kicking. Jean-Claude Van Damme was one of the vanguards of the action hero movement of this era.

A real-life martial artist, "The Muscles from Brussels" (as Van Damme was popularly known) arrived in Hollywood in his early 20s in search of acting work. The pickings were slim at first, partly due to Van Damme's thick Belgian accent. But the young martial artist cut a striking figure on a physical level, and had the moves to back up his physique not just in fighting but also dancing. 

In fact, the action superstar's first Hollywood role was as a dancer. In 1984's "Breakin'," Van Damme can be seen grooving in the background during a dance demonstration sequence. The actor is so proud of his moves that he did another dance routine in "Kickboxer," the film that (along with 1988's "Bloodsport") put him on the action map. He even recreated the routine decades later in front of Conan O'Brien.   

If there is such a thing as acting royalty, Daniel Day-Lewis would definitely qualify for the lit. Often hailed as one of, if not the greatest actor of all time, Day-Lewis' mountain of awards stands as a testament to his artistic talent. In fact, Day-Lewis is considered an actor of such stature that it's hard to even imagine him working on anything but the most distinguished projects. 

But all that happened later in his career, after he showed Hollywood what he could do in films like "My Left Foot" and "In the Name of the Father." In his youth, Day-Lewis was much like any other actor, taking just about whatever work came his way. One such project was the 1971 British film "Sunday Bloody Sunday," in which a 14-year-old Day-Lewis makes a brief appearance. 

The future multi-Oscar winner plays the role of a young vandal who defaces a set of parked cars. The role didn't require much in the way of a grueling acting process, and Day-Lewis' memory of the part is merely a feeling of satisfaction for getting paid to vandalize cars. "'Sunday, Bloody Sunday' played no part in [my desire to become an actor]," Day-Lewis stated in a 1988 CBC interview. "That was just wrecking cars, you know. Got an extra pound for that."

In 2008, Heath Ledger won an Oscar for Best Supporting Actor for his mesmerizing turn as the psychopathic Joker in director Christopher Nolan's "The Dark Knight." Unfortunately, the triumph of the moment was bittersweet, as Ledger had died shortly after completing work on the film.

In the months and years following his death, many rumors grew that Ledger had done such an intense deep dive into the mind of the Joker that the mental toll the role took on him had played a direct role in his death. This urban legend has been debunked many times (via Us Magazine). But there's no doubt the role of a clown had a special significance in the late actor's life, since he got his start as an actor in a movie about clowns as well. 

As a fresh-faced teenager, Ledger made his acting debut in the 1992 film "Clowning Around," which tells the story of Simon, a kid who dreams of becoming a proper clown one day. The young Ledger can be briefly seen along with a crowd of other boys standing next to Simon with a makeshift cape draped around his shoulders. 

In 2015, Anya Taylor-Joy burst onto the indie scene with a star-making lead role in Robert Eggers' "The Witch." From there, the actress' star continued to climb rapidly with a string of well-received roles in "Split," "Thoroughbreds," and "Emma," before being launched into mainstream pop culture consciousness with Netflix's chess drama series "The Queen's Gambit."

Beginning early on in her career, Taylor-Joy garnered a reputation for being a serious actress who takes on dark and disturbed roles in dark and disturbing films. But the actress got her start in the world of acting in a very different capacity. The first role Taylor-Joy ever landed was as a "Feeder Girl" in the 2014 fantasy comedy horror "Vampire Academy." The actress shows up in a brief scene waiting patiently to have her neck drained of blood by a bunch of hot vampires. 

Unfortunately, the scene got cut from the movie before its release (though it can be seen in the movie's deleted scenes reel, via YouTube user ShadowOfLove), and Taylor-Joy's screen debut got delayed. Of course, considering how "Vampire Academy" has faded into obscurity while "The Witch" has gone down as an instant horror classic, maybe it's a good thing she got to mark her debut with the latter film.