What The Cast Of Monster: The Jeffrey Dahmer Story Should Really Look Like

In late September, Ryan Murphy's new horror series "Dahmer – Monster: The Jeffrey Dahmer Story" took over Netflix, breaking the streaming service's record as the most-watched series debut ever, raking in over 196 million watch hours from subscribers in its first week. Propelled by Evan Peters as Dahmer, who went all in on his performance of the ruthless serial killer, "Monster" is one of the most pragmatic true crime series that Netflix has ever made.

The story of "Monster" is meant to be told from the perspectives of Dahmer's victims, rather than the killer himself. There isn't much of a retrospect in the show, as many of the episodes refrain from flashbacks and set their focus on what's happening around the crimes of the present. In the weeks since the show's release, "Monster" has been met with a lot of backlash about set conditions, capitalizing on tragedy, and whether or not the families of Dahmer's victims were contacted about being portrayed in the series.

The cast of "Monster" is expansive, with many notable Hollywood stars taking turns as people who were directly in Dahmer's orbit, either as family, victims, or bystanders attempting to bring his crimes to light. In any case of tasking actors with portraying real-life people, not all of the likenesses are perfect. Here is our breakdown of how each integral character from "Monster: The Jeffrey Dahmer Story" should have really looked.

"Monster" devotes a lot of time on Dahmer's victims, and that includes his father Lionel, who was the only person to show up in support of Dahmer after his capture. Though Lionel did not suffer the violence of his son's murders, "Monster" details how the trial and Dahmer's image affected him in the years after. He writes a book about being the father of one of America's most notorious serial killers, which fails commercially, and later speaks publicly every so often about his experiences raising Dahmer, usually alongside his wife Shari.

At least aesthetically, Richard Jenkins looks identical to the real Lionel. While Peters was able to step into the dialect and accent of Dahmer, Jenkins approaches the character of Lionel from a dramatic, emotional standpoint. Opting to not rely on any accent other than his own, Jenkins, in similar thick-rimmed glasses and an assortment of sweaters and plaid button-down shirts, delivers a powerful performance of a man tasked with believing that his monstrous son still has some goodness deep within him.

The heart and soul of "Monster" belongs to its central hero, Glenda Cleveland. Played marvelously by Niecy Nash, Cleveland is the driving force in the effort to catch Dahmer. In "Monster," she lives in the next apartment down the hall from Dahmer, and the two characters share ventilation. The horrid smells coming from Dahmer's living room emit through Cleveland's vent. In reality, according to her 2011 obituary, Cleveland lived in a nearby apartment building.

The defining piece of Cleveland's wardrobe — as is curiously the case for other characters on the show — is her oversized glasses. Nash doesn't look much like her real-life counterpart, at least not in the way that Peters looks like Dahmer, but the focus is not on the appearance. Instead, "Monster" wants to prioritize how the Milwaukee police's unserious attitude towards racial inequity led them to neglect the neighborhood where Dahmer committed most of his crimes. Cleveland is positioned as the catalyst in a series of phone calls and complaints made against Dahmer for months.

The infamous conversation that Cleveland has with a Milwaukee police officer after discovering a bloody and disoriented Konerak Sinthasomphone outside Dahmer's apartment actually happened, though Murphy embellished how close she was to the serial killer throughout the months when his crimes were occurring.

One of the first characters we meet in "Monster" is Tracy Edwards, the last of Dahmer's victims. Played by Shaun J. Brown, Edwards is a hero within the Dahmer case, though his life since has been filled with trauma and inequity. In real life and in the show, Edwards escapes Dahmer's violence and alerts the police. Because of Edwards' escape, Dahmer is eventually captured, and his apartment filled with mementos from the murders is raided and bagged as evidence.

In the show, Edwards wears a baseball jersey and flat-brimmed snapback hat. In one of the few real-life photographs of Edwards, he is wearing a basketball jersey and a similar hat. But in actuality, Brown's appearance is one of the less-than uncanny portrayals in "Monster." Brown is not as slender as Edwards was, and he's possibly taller than his real-life counterpart.

After Dahmer was captured by police, Edwards faced a battle with homelessness and, according to his attorney Paul Ksicinski in a People Magazine feature, was "still having nightmares" decades after narrowly escaping becoming Dahmer's 18th victim. Edwards testified against Dahmer during the trial and later faced assault charges of his own before suing the city of Milwaukee for neglecting calls about Dahmer's behavior in the months leading up to his encounter with the murderer.

Though Dahmer is the clear antagonist of the show, his biological mother Joyce is painted as a secondary antagonist, most often by Lionel, who suggests that her abandonment of Dahmer is part of why he grew up to be a serial killer. Joyce and Lionel divorced in the late 1970s when Dahmer was still in high school, and Joyce would obtain full custody of her and Lionel's youngest son, David. Throughout her marriage, Joyce battled postpartum depression from her two pregnancies and emotional abuse from Lionel.

Penelope Ann Miller was tasked with portraying Joyce in "Monster." Though she does not resemble Joyce as closely as other actors do their characters, Miller takes on a feathered hairdo and large glasses, much as Joyce does in pictures. On screen, Joyce struggles mightily with the crimes committed by her eldest son and as depicted in "Monster," she attempted suicide by leaving her gas stove running around the time of Dahmer's own death.

Rita Isbell is most famous for delivering a passionate, emotional victim impact statement at Dahmer's sentencing trial in 1992. Isbell was the sister of Errol Lindsey, a young Black man killed by Dahmer in 1991. In an essay for Insider, Isbell explained what was going through her head in the moments leading up to her confrontation with Dahmer. "My plans were to get up there and say how it made my mother feel and what it did to her and all this other stuff," she wrote. "But no, when I got in front of his face it was a whole new ball game. I recognized evil. I was face-to-face with pure evil."

In the show, DaShawn Barnes performs an almost flawless recreation of Isbell's speech. Barnes wears the same hairstyle, shirt, and coat as Isbell did 30 years ago, displaying a similar release of emotions and anger in the wake of her brother's killer finally being brought to justice. In the days after "Monster" took over Netflix, Isbell shared her disapproval of the show.

"When I saw some of the show, it bothered me, especially when I saw myself," she wrote. "If I didn't know any better, I would've thought it was me. Her hair was like mine, she had on the same clothes. That's why it felt like reliving it all over again. It brought back all the emotions I was feeling back then."

She continued, "I was never contacted about the show. I feel like Netflix should've asked if we mind or how we felt about making it. They didn't ask me anything. They just did it."

Dahmer's youngest victim was Lao teenager Konerak Sinthasomphone, the 14-year-old younger brother of Somsack Sinthasomphone who Dahmer sexually assaulted in 1988. According to People Magazine, Dahmer would be charged with second-degree assault and enticing a child for immoral purposes in 1989, which would eventually play a big role in Dahmer moving into the Oxford Apartments after leaving his grandmother's home.

Sinthasomphone was offered money by Dahmer in exchange for posing for some Polaroid photos. After consuming drugged alcohol, Sinthasomphone lost consciousness and, shortly after, Dahmer performed a sort of improvised lobotomy on him, which involved drilling a hole into the crown of the skull and injecting hydrochloric acid into the brain's frontal lobe. When Dahmer left the apartment to purchase alcohol, Sinthasomphone wandered out onto the streets and was found by Glenda Cleveland's daughter and niece before being sent home with Dahmer by Milwaukee police officers.

Kieran Tamondong plays Sinthasomphone in "Monster," but does not share an immediate likeness. Weirdly enough, Brayden Maniago, who plays Somasack, has a much stronger resemblance to Sinthasomphone than Tamondong does. In real life, Sinthasomphone's hairstyle is similar to a mullet, but in "Monster," Tamondong sports a shaggier, symmetrical style.