The Untold Truth Of Molly Ringwald

The '80s were filled with iconic movies that have remained a part of pop culture for decades, but even in a movie-packed decade, John Hughes' films stand out from the crowd. Movies like "Sixteen Candles," "The Breakfast Club," and "Pretty in Pink" helped define a generation by taking the concerns of teenagers seriously, per MTV. As a writer and director, Hughes deserves plenty of credit for those films, but they also wouldn't exist without one actress in particular: Molly Ringwald.

Ringwald was more than just a member of the Brat Pack. She was Hughes' muse and collaborator. She inspired his films, and her input helped shape them into classics, as seen in her New Yorker piece reflecting on them. Ringwald will always be remembered for her years as a teen star, but she never stopped exercising her passion and creativity. She spent years in France to step away from Hollywood, only to return to the United States to act on the stage, record music, star in films and television, and embark on a successful new career as a writer. You fell in love with Ringwald in "Pretty in Pink"  now get to know her untold truth.

Molly Ringwald will forever be associated with John Hughes. It's not just that his films launched her career; she helped him to reach the peak of his own career. Ringwald worked with Hughes on some of his most iconic hits: "Sixteen Candles," "The Breakfast Club," and "Pretty in Pink." In The New Yorker, she acknowledged that many people think of her as Hughes' muse, but said that from her perspective, their relationship was deeper than that because "[she] felt that he listened to [her] — though certainly not all the time." Hughes didn't just use Ringwald as a source of inspiration. He also listened to her opinion on his writing and made changes to his scripts based on what she had to say.

The actress recalled that an early draft of "The Breakfast Club" included a scene where a female gym teacher swims in her pool naked and gets spied on by Mr. Vernon. She convinced Hughes to cut the scene from the final draft of the script. Tingwald told The Atlantic that on another occasion, she mentioned to Hughes that the shooting script for "The Breakfast Club" had been drastically changed from the script she'd initially read. As a response, Hughes brought the actors every version of the movie he'd written and allowed them to piece together the film they wanted to shoot. Without Ringwald as a trusted voice and unofficial editor, Hughes' movies might not become the classics they are today.

Ringwald landed her first movie role when she was just 13 years old. Growing up as a child star can be difficult, but Ringwald's parents were always close at hand, and her mom wasn't afraid to speak up when she had an issue with what was happening on set. In The New Yorker, Ringwald wrote about a time her mom took charge while they were filming "Sixteen Candles." John Hughes had written a joke for Samantha's father where he asked what had happened to her underwear just after a heartwarming conversation. Ringwald wrote that her mother protested and said, "But it's not funny. It's creepy." Hughes agreed and changed the line to say, "Just remember, Sam, you wear the pants in the family."

That's not to say Ringwald's parents always had the final say. When her mother objected to the scene in "The Breakfast Club" where Bender looks up Claire's skirt (which was shot with an adult actress), the filmmaker decided to keep it in the movie. In another piece for The New Yorker, Ringwald described several instances of being sexually harassed as a teenager by various people on film sets. "All this went on despite my having very protective parents who did their best to shield me," she wrote, adding, "I shudder to think of what would have happened had I not had them."

Acting is an undeniably tough career field. Most actors have rejections pile up before they finally land a part, and plenty of actors have stories of major roles that they just barely missed out on playing. Molly Ringwald had her share of challenges, of course, but she also managed to buck the trend in one major way. Instead of missing a career-altering part, Ringwald actually turned down a major role not once, but twice. Ringwald passed on the opportunity to play the lead in two different 1990 films: "Ghost" and "Pretty Woman" (via LA Times). 

To hear Ringwald tell it, she's not at all disappointed to have said no to the films. She told The Atlantic that, at least in the case of "Pretty Woman," the popular version of the story is "a little bit of a myth." She said that in reality, though the script came her way, she was never officially offered the role. Ringwald is happy the part ultimately went to Julia Roberts because "[i]t was a part meant for her, just like there were parts meant for [Ringwald]." Rather than chasing the next big Hollywood film, Ringwald decided to turn her attention to a different part of the world and spent most of the '90s in France.

Molly Ringwald is someone who speaks her mind and isn't afraid to voice her opinion on important issues. As the #MeToo movement picked up steam, Ringwald decided to open up about her own experiences with men in Hollywood and even with Harvey Weinstein himself. Ringwald worked with Weinstein on the 1990 "Strike It Rich," who she described as a man "noticeably lacking taste himself" and wrote about how he tried to avoid paying her for her work on the film (via The New Yorker). Ringwald also mentioned the many times different men in the movie business sexually harassed her, even as a teenager, and hoped that "Hollywood makes itself an example and decides to enact real change."

In addition to critiquing the men of Hollywood, Ringwald has also investigated the content they create, and she hasn't been shy about reexamining the films that made her famous. In another New Yorker piece revisiting her career through the lens of #MeToo, she acknowledged that John Hughes had a history of misogynistic humor that went back to his days writing for National Lampoon. That style of humor infected Hughes' movies with Bender looking up Claire's skirt in "The Breakfast Club" and Jake trading his girlfriend Caroline in exchange for a pair of underwear in "Sixteen Candles." Ringwald wrote that the films still have much to offer, and she hopes they will continue to be viewed and taught, but, she acknowledged, "[t]he conversations about them will change, and they should."

For anyone who's already watched all of Molly Ringwald's films and television appearances, there's another way to continue interacting with her approach to art. You can read her books. In an interview with Entertainment Weekly, Ringwald credited the short stories of Raymond Carver with first inspiring her to write for herself. She also admitted to skipping certain novels that are considered classics like "Moby Dick" and "Don Quixote." Those omissions haven't stopped her from becoming a successful author or from branching out as a writer.

Ringwald's first book, "Getting the Pretty Back," with HarperCollins Publishers is a collection of stories and advice about being happier and more fulfilled as an adult. Her next book, again with HarperCollins, was a collection of interlinked short stories titled "When It Happens to You." Both books received mixed reviews — though The New York Times review of "When It Happens to You" believed that the actress could grow as a writer much like she did as a young actress "pushing herself into an unfamiliar realm" — but that hasn't slowed Ringwald down in the slightest. Her most recent project was translating the French novel "Lie With Me" by Philippe Besson into English, which NPR called "beautifully translated."

When they become a parent, every actor has to decide how they're going to introduce their films to their children. For Molly Ringwald, that decision is made even more complicated by how much of an impact her early films with John Hughes have had on Hollywood and pop culture at large. Ringwald has said that she gets particularly nervous about showing her kids those old movies because of the homophobic and misogynistic jokes that stick out so much more in the 21st century than they did back in the '80s (via The Hollywood Reporter). "My 12-year-old daughter, Adele, is the most woke individual that you've ever met, and I just don't know how I'm gonna go through that," she said.

Ringwald talked to The New Yorker about watching "The Breakfast Club" with her oldest daughter when she was 10 years old. "My daughter insisted that her friends had already seen it, and she said she didn't want to watch it for the first time in front of other people." Ringwald had been worried that her daughter would be bothered by some of the film's more uncomfortable jokes, but she said she "hadn't anticipated that it would ultimately be most troubling to me." That's a big part of why Ringwald hasn't watched any more of the films with her children. "I feel like it's a rite of passage and I'm just not ready," she told The Huffington Post.