Small Details You Missed In Wednesday

Tim Burton's "Wednesday" is a deliciously dark and wicked horror show. In the spirit of the two '90s films, "The Addams Family" and "Addams Family Values," the new Netflix series marries macabre humor with a lighthearted flair and balances between the two with ease. Jenna Ortega makes a superstar turn as the titular character, and her cast mates, including Gwendoline Christie as Principal Weems and Emma Myers as classmate Enid, more than hold their own. Wednesday's family unit — Morticia (Catherine Zeta-Jones), Gomez (Luis Guzmán), Pugsley (Isaac Ordonez), and Lurch (George Burcea) — only appear in a few episodes, but their presence devours the screen.

Known for such films as "Edward Scissorhands," "Corpse Bride," and "Beetlejuice" among many others, Burton brings a wonderfully twisted richness and detail to the series. That's also owed to co-creators, showrunners, and writers Miles Millar and Alfred Gough who display a clear love for the IP and honor what came before while carving out their own space within the "Addams Family" universe. Whether it's the opening credits or cultural nods to popular horror literature, there are countless references and Easter eggs that make the world even more brilliantly vivid and captivating. Below, Looper has compiled all these small details and dissected how they fit into the overall picture. There are major spoilers afoot, so tread lightly ... if you dare.

The spooky opening credits tease much of what fans can expect. The first object is shows us is a typewriter — an important facet to this show's version of Wednesday. She sets aside daily writing time and is busy writing a new book about Viper de la Muerta and her relationship with her mother Dominica. It's possible that there are some autobiographical elements to Wednesday's Viper de la Muerta stories.

The next object, a Nightshade Society volume, hints at her discovery of a secret club below the academy. Then there's her signature cello and a butcher's knife — items to suggest her musical abilities and plenty of murder on the way in this show. Thing also makes an appearance, crawling up a spiral staircase emblazoned with roman numerals. A black widow then creeps down a spider's web in a glass window — the widow references Xavier Thorpe's (Percy Hynes White) talent for drawing art that comes alive, while the glass window indicates Wednesday's room in the academy. Other images like a teddy bear in a guillotine, a bee nestled in a Venus flytrap, a crystal ball, and a moon give broader clues for what's ahead.

The most important image comes in the form of a barren tree engulfed in flames. Classmate Rowan (Calum Ross) discovers a doomsday prophecy in which Wednesday and Jericho's founding pilgrim Joseph Crackstone (William Houston) are consumed by flames beneath the tree. In the show's climactic finale, the prophecy comes true, but not in a way you may think. The school is not burning because of Wednesday — she's trying to save it.

One of several Easter eggs centers around an iconic arrow and apple gag. In 1991's "The Addams Family," Wednesday ties up her brother Pugsley and puts an apple in his mouth. Wednesday whips out a crossbow and pulls the trigger. Even though the camera cuts away, it's implied that she hit the bullseye without batting an eye.

"Wednesday" first references this moment in the opening 20 minutes of Episode 1. Attending Nancy Reagan High School, Pugsley falls victim to several classmates who tie him up and stuff him in a locker with an apple in his mouth. When Wednesday discovers him, she exacts her revenge and drops bloodthirsty piranhas in the swimming pool, nearly killing one of the bullies.

At Nevermore Academy, one of the extracurricular activities happens to be archery. Wednesday scours the grounds to get familiar with the layout and comes across Xavier shooting a few arrows at a target. "Ever shot a bow and arrow before?" he asks. "Only on live targets," she says. She tosses an apple into the air, pulls back the rosin, shoots, and nails it dead-on. Moments like these make for the perfect Easter egg hunt.

When sent to summer camp in "Addams Family Values," Wednesday befriends the nerdy, book-smart outcast Joel Glicker (David Krumholtz). He uses an inhaler, wears glasses, and takes an immediate liking to Wednesday. The two bond over their shared disdain for all things colorful and bright, with their time in the Harmony Hut pulling them closer together. Joel would do anything to help Wednesday; he may even die for her. The two part ways toward the end of the movie and share a furtive kiss.

In the series, Wednesday becomes friends with Eugene Otinger (Moosa Mostafa), a fellow outcast who starts a bee club that no one else joins. Like Joel, Eugene wears glasses and sports a similar hairstyle, but doesn't need an inhaler. Classmate Rowan, however, does use an inhaler, wears glasses, and has the same dark hair as Joel. As far as romance goes, Wednesday is infatuated with the normie (or normal person) Tyler, and they share a kiss near the end of the season.

It seems the creative team has split the character of Joel Glicker among these three teens. Joel might have played a relatively small part in the 1993 film, but his presence casts a long shadow over Nevermore Academy.

Upon arriving at Nevermore Academy, Wednesday, Morticia, and Gomez have a sit-down chat with Principal Weems. In their conversation, Wednesday learns that she has been assigned to her mother's old dorm, Ophelia Hall. "Refresh my memory," Wednesday asks her mom. "Ophelia's the one who kills herself after being driven mad by her family, correct?"

Ophelia famously appears in Shakespeare's "Hamlet." She's a noblewoman of Denmark and a potential wife for Hamlet. The violent death of her father following multiple bad decisions on his part, Hamlet's indifference, and other factors combine to push her over the edge. Her death is first announced by Queen Gertrude, Hamlet's mother. Allegedly, Ophelia climbs up a tree and a limb breaks. Ophelia tumbles into the water where "her clothes spread wide, and mermaid-like a while they bore her up." Here, it's suggested that it was an accident. But a later speech from a priest strongly indicates it was an act of suicide. "Her death was doubtful, and, but that great command o'ersways the order. She should in ground unsanctified have lodged till the last trumpet."

Wednesday being placed in the Ophelia dorm carries thematic significance to the story. Much like Ophelia, she feels the weight of family's ambition squarely on her shoulders. Wednesday forever lives in her mother's shadow, as hard as she tries to break free. She very nearly is driven mad but comes to understand that it's quite alright to forge one's own path in the world. Ultimately, Wednesday is actually the antithesis of Ophelia — a strong, resilient young woman who defies society's archaic systems.

If you or anyone you know is having suicidal thoughts, please call the National Suicide Prevention Lifeline​ by dialing 988 or by calling 1-800-273-TALK (8255)​.

Horror has always been queer. In recent years, queer stories have moved from subtextual to regular textual. With "Wednesday," Enid's character can be read as queer for a few reasons. For one, the pink and blue-purple streaks in her blonde hair happen to also be the colors of the transgender flag.

Also, in Episode 5, Enid is confronted by her mother Esther (Amanda Drew) about why she hasn't transformed into a werewolf yet. "Don't you want to wolf out and finally be normal, honey?" she pleads, handing her daughter a stack of conversion therapy pamphlets. Allegedly, the family's cousin Lucille once attended a camp in the Balkan countryside for seven weeks. "It worked wonders," says Esther. Enid's response is absolute gold. "If I'm meant to wolf out, I'm going to do it on my own timeline, not yours," she says. "I just hope one day you'll be able to accept me for what I am." Her father, it turns out, is far more accepting. He gives her a tender embrace and tells her how "proud" he is. "You do you," he says. Considering conversion therapy apparently costs the U.S. $9 billion annually, everyone from the LGBT community to heterosexual American taxpayers can applaud Enid's decision.

It should also be mentioned that Eugene has two moms who visit him while he's in the hospital. It's a few brief scenes, but they're handled with great care. Nary a fuss is made; his moms simply exist. "Wednesday" really said gay rights.

Professor Thornhill (Christina Ricci) teaches a course on carnivorous plants. She's also responsible for welcoming new girl students to Ophelia Hall and greets them with a carefully selected plant to match their style and personality. "I try to match the right flower to each of my girls," she says. She then hands Wednesday a potted Black Dahlia.

Throughout the season, Thornhill frequently tends to a Venus flytrap. Nothing could encompass her personality and role in the show better. Venus flytraps are known to eat flies and arachnids, and its persistence for catching prey is deadly. The same can be said for Thornhill, who is revealed to actually be Laurel Gates. In 1990, the Gates family were met with tragedy when their son Garett was accidentally killed by Morticia Addams. The parents died soon after, and Laurel, now an orphan, was sent overseas where she presumably drowned. But a body was never recovered. More than three decades later, Laurel is still on the hunt.

She uncovers Tyler's ability to morph into a hyde monster and makes him her slave. She demands he kill various Nevermore students, as well as townsfolk, to complete a ritual to resurrect the town's founder Joseph Crackstone. In every way, she is a Venus flytrap herself. She ensnares people with her charm and wit, tucked behind thick-rimmed glasses, and when she has someone in her clutches, she snaps her proverbial lobes shut.