The Biggest Holiday Movie Box Office Bombs

There's a reason that both the biggest domestic (Star Wars: The Force Awakens) and biggest international (Avatar) box office grosses are from movies released in December: the holiday movie season is big business for Hollywood. It's also one of the most diverse, with a mix of big-budget tentpoles, arthouse fare, Oscar contenders, and family-friendly flicks.

However, releasing a movie during the holidays isn't a sure thing. With so many films hoping to mine box office gold (or at least break even), it's inevitable some will get a lump of coal instead. Not surprisingly, most of these box office bombs are pretty bad, showing that just because your movie has a holiday theme, doesn't mean audiences will care. We're counting down the biggest holiday movie bombs based on their box office returns. What are these turkeys, and why did they disappoint? Let's find out.

If Die Hard is considered a Christmas movie then we can all agree that Batman Returns is too, right? Okay, maybe that sounds like a stretch, but it's far from the freakiest Michael Keaton holiday film — that honor goes to Jack Frost. 

In this 1998 dud, Keaton plays a man named (wait for it) Jack Frost who can't keep his promises to his son. After he dies in a car wreck, he returns one year later — as a snowman — to make things right. Even the summary sounds off-putting, and that's before you even see the terrifying snowman Keaton's soul possesses. If you mix Ghost and Liar Liar with Frosty the Snowman and coat it with more sugar than a kid's breakfast cereal, you get Jack Frost. The movie isn't just creepy, it's awkward. Sample dialogue — Son: "You da man!" Dad: "No, I da snowman!" 

Unsurprisingly, Critics hated Jack Frost, giving it a frigid 19 percent Tomatometer score and saying it was plagued by "sentimental schmaltz and uninspired storytelling." That's just cold. Opening on December 11, 1998, Jack Frost melted away with a measly $7 million opening weekend on its way to a $34 million grand total against a budget of $85 million. No way to sugarcoat this schmaltzy holiday disaster: Jack Frost was a bomb.

Counter-programming is one of the most reliable ways to make your movie stand out at the multiplex, and hopefully make millions of dollars at the box office too. And what could be a better example of counter-programming than releasing a gory slasher flick during the season of comfort and joy? The filmmakers behind Black Christmas tried to do just that, but the result was a bloody mess. 

The 2006 version of Black Christmas is a remake of the 1974 slasher flick about an escaped maniac who returns to his childhood home, which is now a sorority house, and starts to murder the sorority sisters one by one. If that sounds like a ripoff of Halloween, remember the original Black Christmas came out four years before John Carpenter's film and is considered a pioneer in the slasher genre. The remake? Not so much. Black Christmas received a brutal 15 percent Tomatometer score and opened to $3.7 million on December 16, 2006, on its way to a $16 million domestic and $21 million worldwide box office take. That's bloody awful.

Robert De Niro and Christmas dramedy don't seem to go hand-in-hand, but maybe that was the idea. The actor who became famous for playing violent misanthropes like Travis Bickle and Jake LaMotta took his career in a different direction in the aughts, following the incredible success of the Meet the Parents franchise. America's favorite mobster was turning into America's favorite dad, and Everybody's Fine was a part of that career switch. 

In Everybody's Fine, De Niro plays a widower who realizes his only connection to his children was through his wife. Hoping to connect with his adult children during the holidays, he sets out on an impromptu road trip, and hilarity and life lessons ensue. The children are played by Drew Barrymore, Kate Beckinsale and Sam Rockwell, so the film has quality ingredients, but it could never break loose from its Hallmark trimmings. Critics blasted it with a 47 percent Tomatometer score and moviegoers weren't much kinder, as Everybody's Fine was anything but fine at the box office, opening to $3.8 million on its way to a $9 million domestic and $16 million worldwide gross.

If you grew up in the 1990s, you either had a Jonathan Taylor Thomas poster in your locker or you knew somebody who did. Thomas (JTT for all of you OGs) became famous playing the brainy middle child Randy Taylor in the popular ABC sitcom Home Improvement — and he was eventually the second biggest star on the show, after only Tim Allen. Following the incredible success of Allen's holiday hit The Santa Clause, Disney thought putting the young heartthrob in a movie packed with holiday hijinks was a no-brainer. I'll Be Home For Christmas had all the pieces in place to become a smash holiday hit, except for one key ingredient: it wasn't any good. 

In the film, Thomas plays a self-centered college student who is left stranded in a California desert a few days before Christmas and must make it back to New York City to spend the holidays with his family... or risk losing the vintage Porsche he was set to inherit. So yeah, something we can all relate to. The setup had potential, but the plot was overcomplicated and worse, not funny. Critics lambasted it with a 23 percent Tomatometer score and it opened to a mere $3 million on November 13, 2008, earning $12 million total against a $30 million budget.

With so many cliche holiday movies coming out every year, they all start to run together. Take for instance, Nothing Like the Holidays. We don't even remember this — and you probably don't either, as the movie faded into oblivion immediately after it opened. This 2008 dramedy tells the story of the Rodriguez clan, a Puerto Rican family in west Chicago who face what may be their last Christmas together. With John Leguizamo, Freddy Rodriguez, Debra Messing, and Alfred Molina, Nothing Like the Holidays has a pretty impressive cast, but that wasn't enough to save it. Its biggest issue was its blandness — frankly, you could watch 1,001 movies just like it on TV for free. Critics gave it a mediocre 53 percent Tomatometer score, and it opened on December 12, 2008 to a mere $3.5 million. Its final worldwide take was a disappointing $7.5 million, with only $15,754 of that coming from overseas. Its cast may have added some overdue representation to the Christmas movie canon, but in terms of story, Nothing Like the Holidays had nothing original to offer.

The Perfect Holiday may win the award for "Most Generic Holiday Movie Title Ever." Too bad, because it united a stacked cast of likable leads, including Morris Chestnut, Terrence Howard, Queen Latifah and Gabrielle Union. 

The Perfect Holiday is about a young girl who asks a department store Santa (played by Chestnut) to find a husband for her long-suffering single mother (Union). Thankfully for all parties involved, the department store Santa is a dreamy singer-songwriter who would make the perfect husband for her mom and father for her. If this all sounds a little too, well, "perfect" (e.g. trite, treacly, and cliché), that's the problem. Critics couldn't stomach how saccharine it was and bestowed it with a terrible 17 percent Tomatometer score, and the movie opened to just $2.2 million on December 12, 2007 on its way to a less-than-perfect (actually a downright terrible) $5.8 million total.

Hollywood's addiction to remaking, rebooting, and franchising easily recognizable properties makes sense — they have a built-in audience. However, some have failed so often and so badly you wonder why Hollywood continues to bother. Take for instance The Nutcracker. Tchaikovsky's beloved 1882 ballet is a perennial holiday classic onstage, but while audiences love to watch dancing rats and sugar plum fairies in live performance, The Nutcracker has been a consistent and colossal failure at the multiplex. 

In 1986, Maurice Sendak of Where The Wild Things Are designed the costumes for Nutcracker: The Motion Picture, based on the Pacific Northwest Ballet's original production. That film earned $751,727. In 1990, Hollywood tried animating the story as The Nutcracker Prince, which earned $1.7 million total. Hollywood's next attempt starred Macaulay Culkin, fresh off two of the biggest holiday hits ever, Home Alone and Home Alone 2. The Nutcracker (1993) earned $2.1 million on a $19 million budget. The Nutcracker in 3D (2010) figured that post-Avatar, 3D was worth a $90 million investment. It wasn't. That film earned $16 million worldwide. You'd think a bomb of that scale would scare filmmakers from ever trying The Nutcracker again, but you'd be wrong — even Disney failed to make magic (and money) with the story. The Nutcracker and The Four Realms made $54 million domestically and $173 million worldwide on a $120 million budget. Better than the rest, but still a bomb. Note to filmmakers: making another Nutcracker movie is just nuts.