Things Only Adults Notice In Soul

When we first meet Joe Gardner (voiced by Jamie Foxx) at the beginning of Soul, he's a part-time band director in an inner city middle school who dreams of one day becoming a professional jazz pianist. His dreams seem set to come true when he lands an audition with the Dorothea Williams Quartet, a highly respected jazz group led by professional saxophonist Dorothea Williams (Angela Bassett).

As Joe rushes to his tryout, weaving through the bustling New York City streets, he runs by several local businesses — Lotus Blossom Yoga Studio, a rare and used bookstore — but one sign stands out as obviously nodding to a real-life brand: Jimmy Shoes. Adults will immediately recognize the store name as a reference to Jimmy Choo, a high-end fashion house specializing in luxury shoes and handbags, founded by couture shoe designer Jimmy Choo in 1996. Why Soul decided to include a nod to a real-life company when most of the other products seen in its various ads and the names on its storefronts are either vaguely nondescript or fictional is anybody's guess. But while kids won't think twice about any of the brands that appear in the New York City of Soul, adults may get a chuckle at the one they recognize.

When Joe first lands on the conveyor belt meant to transport him to the afterlife, he's all alone. Running away from the bright portal to the Great Beyond, Joe meets a trio of other souls who are all content to move on. But instead of joining them and entering eternity, Joe continues to run down the conveyor belt — and suddenly finds himself in the midst of a dense crowd of hundreds of souls, all being shunted toward that never-ending jazz concert in the stars.

What are we meant to infer by the conveyor belt being essentially empty one minute, and then absolutely packed with people the next? Sure, people may die every second in real life, but in the world of Soul, that doesn't seem to be the case, since Joe and the first group he met had their sections of the conveyor belt all to themselves. The most obvious explanation for the sudden crowd is that something catastrophic happened a few minutes after Joe fell into that manhole, resulting in massive crowds of people all arriving in the afterlife all at once. Kids probably won't question why Joe is suddenly surrounded by souls when there weren't any a moment before, but adults may be a little disturbed by what it implies.

There are a few lines in Soul that have significant implications for age-old debates back on Earth. Kids may not even notice, but adults are much more likely to realize the potential significance of an exchange where Joe asks Jerry (Alice Braga) if the You Seminar is where personalities come from, and she replies, "Of course. Do you think people are just born with them?"

Following Jerry's line to its natural conclusion, she seems to be implying that people get their souls at some point after they are born. The process, as it's laid out in Soul, seems to be that souls are first created, then given their core personalities via the various pavilions in the You Seminar, and finally find their "spark," or will to live, through their mentorship under other souls who have already lived and died. At the conclusion of this process, the souls make the trek to Earth and, presumably, are assigned to a body. Jerry's line seems to indicate that those bodies already exist, and the souls arrive following birth. Depending on the religious and philosophical beliefs of the adults watching Soul, that small bit of worldbuilding could potentially make or break the movie for some viewers, while others likely won't even notice it at all.

As a soul who has not yet found her "spark," and thus hasn't earned her Earth pass, 22 has managed to remain in the You Seminar for millennia by tormenting her mentors and refusing to cooperate in the process that would finally send her to live as a human on Earth. She's gotten her defiance of the You Seminar system down to an art form, and when she's assigned to Joe (masquerading as a child psychologist we never meet named Björn Börgensson), she has no intention of going along with the system this time. Once Jerry (Richard Ayoade) catches her and passes her to Joe, she gleefully tells him, "I'm gonna make you wish you never died."

Unmoved, Jerry responds, "Most people wish that, 22."

Seems right, until you remember that Jerry is in the unique position to actually know how most souls feel about dying from the perspective of the afterlife. While he works in the You Seminar, Jerry's interactions with Terry make it clear that there's a decent amount of interaction between co-workers in the Great Before and the Great Beyond. Jerry admitting that most people wish they'd never died seems to imply that the Beyond may not be so great after all. If it was amazing, why would most people wish they were still alive? It's a throwaway line with seriously dark implications, and may leave adults wondering what sort of unsavory afterlife awaits the dearly departed in the Pixar universe.

Once 22 has agreed to Joe's plan for her to earn her Earth pass, then give it to him, the two embark on a tour of the You Seminar, searching for 22's spark. Unfortunately, since finding a spark is easier said than done, 22 takes him to the Zone, the place that exists between the physical and spiritual. This, she explains, is where living humans go when they're so deeply into their activities that they literally transcend to a different plane. Joe recalls that he was in the Zone earlier that same day, right before he fell into the manhole, when he was auditioning for Dorothea Williams.

But when Joe assumes it's just musicians who get to enter the Zone, 22 quickly points out that anyone can enter under the right circumstances, including actors, tattoo artists, and basketball players. 22 enjoys disturbing people in the Zone, and takes particular pleasure in thwarting a basketball player right before he makes a basket, telling Joe, "I have been messing with this team for decades."

That team is the New York Knicks, as evidenced by a team logo that can be briefly glimpsed when the scene cuts to the player missing the basket in real time. Most kids probably won't make the connection to the NBA team's infamous losing streak, but adults will likely get a chuckle out of the implication that 22 has been the source of long-suffering Knicks fans' seemingly interminable woes.

Upon breaking out of the hospital in Joe's body, 22 is understandably overwhelmed by the bustling streets of New York City, and winds up huddling in a corner, terrified. Joe (in the body of a cat) lures her out with a slice of pepperoni pizza, igniting 22's previously undiscovered love of food. For the rest of the film, 22-as-Joe is rarely seen without some sort of snack in her hand, whether it's a piece of pizza, a gyro, a bagel, or — disgustingly — a half-consumed slushie she found underneath a seat on the subway.

Yet one thing we never see 22-as-Joe doing is actually paying for any of this food. While it's possible that she's using Joe's phone to pay for some of it, it seems more probable, given 22's complete indifference to Earthly customs, that she's just swiping whatever looks good to her. She seems to have no concept of money (she gives a street musician a half-eaten bagel as a tip), and is governed almost entirely by her id. It would almost be more out of character if she was stopping to pay. Kids probably aren't used to thinking about how people pay for the things that they want, but adults know all too well that nothing is free — especially in New York City — no matter how good it smells.