The Untold Truth Of Alita: Battle Angel

Alita: Battle Angel, based on the 1990s manga Battle Angel Alita, debuted in theaters in February 2019 after years of prep time courtesy of writer/director Robert Rodriguez and writer/producer James Cameron. It wasn't the usual kind of blockbuster fare, thanks its slavish devotion to replicating the over-the-top imagery of its source material, as well as the presence of an entirely digital protagonist with enormous eyes. Though it didn't set the box office alight with success, its unique qualities did manage to inspire a fervent fan following, which has helped to keep it in the pop culture conversation since its debut.

However, even with Alita being a fixture of sci-fi cinema discourse in recent years, there's still plenty of unusual behind-the-scenes aspects of the film that haven't been widely discussed. Given that Cameron toiled away on making this movie for decades, it shouldn't be a surprise that the process in bringing Alita: Battle Angel to theaters is rife with revealing yarns, in addition to the complexities of bringing any big-budget affair to life. In looking at these untold aspects of Alita: Battle Angel, you realize that this movie is definitely detailed enough to warrant all the discussion its generated since it first leaped onto the silver screen.

As the 21st century began, Cameron — always one to push the envelope for visual effects — was looking to make movies starring entirely digital characters. Both Alita and Avatar were being eyeballed by the auteur as ways of realizing those ambitions, with the former initially being the one Cameron planned to make into a groundbreaking reality first.

"We're in pre-production right now on a project called Battle Angel," Cameron said back in November 2004 (via Anime News Network), adding, "A couple things that will be interesting about this project, even though it's a live-action film, the main character will be done with CG animation, and the second thing that's interesting is that we'll be shooting it in 3D using the stereo imaging system that we've been developing for the documentaries." Cameron's visual effects ambitions for the project were clear from the get-go, while his explicit mention of Battle Angel being in pre-production made it obvious he planned to get to the film next. 

However, plans eventually changed. Cameron debated between whether he'd direct Avatar or Battle Angel next, but camera tests eventually led him to pursuing the former instead. In the process, Alita went from being a top priority to getting shifted to Cameron's backburner.

Robert Rodriguez doesn't frequently play in the sandbox of big-budget movies. He's certainly made VFX-heavy features, but $100+ million budgeted titles — the kind that made James Cameron one of the most successful directors in the world — aren't exactly Rodriguez's forte. But he embraced this style of filmmaking with aplomb when he took on Alita: Battle Angel. Originally, though, Rodriguez's participation with Alita was meant to be far more casual.

Initially, Rodriguez was simply called in to help par down the initial screenplay. "I saw James Cameron's original drawings, and they took my breath away," Rodriguez recounted (via Cinema Blend). "The main character had porcelain arms and huge manga eyes, and I thought, 'Wow, he's going full manga with this.' And he trusted me with the version that was in his head, and he said, 'If you fix the script for me, you can direct.' So a month later I come back and say, 'Here you go, free of charge.' And he said, 'All right, it's yours.'" After that, Rodriguez went from being a screenwriter on Alita: Battle Angel to being its sole director.

Robert Rodriguez needed to make a number of changes to his filmmaking style when tackling Alita: Battle Angel. The man famous for handling all behind-the-scenes elements of his productions had to hand over the reins of cinematography, music, and editing to other people. Meanwhile, the sheer scope of the entire endeavor meant he had to pull back on some of his most outlandish tendencies. One thing that didn't change, though, was that Alita was shot in Rodriguez's go-to filming location of Austin, Texas.

The home of Rodriguez's Troublemaker Studios, Alita shot on soundstages in the city, with apparently the entire feature being filmed there. This makes it a rare big-budget production to shoot in Texas. Many blockbusters opt to shoot elsewhere thanks to tax incentives. However, those concerns weren't going to shoo away Rodriguez. In fact, he's got a sense of loyalty fueling his ambitions to shoot his films in this famous Texas city. "Richard Linklater and I both live there, and I have to say, by staying in your community and making your movies there, and using local workers, it creates a ripple effect that is ultimately huge," Rodriguez explained to The Irish Times. With that kind of potential positive impact, it's no wonder that Alita: Battle Angel and its backdrop of Iron City found a home in the Lone Star State.

Alita: Battle Angel did okay but not fantastic at the worldwide box office. Thanks to a lack of new American blockbusters in the first two months of 2019, it managed to do significantly better domestically than many other live-action anime adaptations, but it still grossed just $85.8 million domestically. Thanks to overseas grosses, including a strong gross in the territory of China, Alita brought its worldwide box office haul to $401.9 million. That isn't spectacular on a budget that's been speculated to range from $170 million to a whopping $200 million. However, it's a decent gross on a number of levels, including being the rare American movie to exceed $400 million worldwide without cracking $100 million domestically.

An even more notable box office achievement Alita scored without question was becoming director Robert Rodriguez's biggest movie ever at the worldwide box office. With $401.9 million, Alita easily leaped past Rodriguez's previous biggest movie ever, the $197.6 million gross of the first Spy Kids. Of course, this isn't exactly a shocking development given that Rodriguez hadn't previously dabbled in the kinds of movies that make over $400 million worldwide. When many of your features are low-budget grindhouse homages like Machete, of course a broadly-appealing tentpole like Alita will become your highest-grossing directorial effort. However, it's still a noteworthy achievement for Alita: Battle Angel, especially considering that its box office run as a whole didn't quite meet expectations.

You never know what movies will resonate with what audiences. Alita: Battle Angel is a great example of this. To our knowledge, nobody involved with this production was thinking that Alita would resonate as deeply personal for trans viewers. But in the wake of the film's initial release, a following sprang up that praised Alita for how its story worked as a trans allegory.

Writer Willow Maclay summarized how Alita resonated on this level by noting that the title character "is a robot who has to figure out what her body means and how she can change it to better fit herself." In addition to resonating on this personal level, there was also the fact that Alita was a character, albeit an allegorical one, who was a welcome contrast to most mainstream depictions of trans people. This robot coded as trans is depicted throughout Battle Angel as a warrior who becomes a symbol of hope. Meanwhile, traditional trans characters in Hollywood cinema are often torment-laden figures doomed to die in order to propel stories about cis-gendered people (see Dallas Buyers Club). Through these qualities, Alita: Battle Angel took on a whole new meaning for an entire community of sci-fi fans.

Initially, Alita: Battle Angel was meant to spawn further adventures, with Robert Rodriguez noting that, in rewriting the films, he discovered "a real lesson in creating a character that could go on [for multiple movies]." As he further explained (via Screen Rant), "Whether you have a franchise or not, you have a character that's so rich that the audience can imagine more movies with, those are the kinds of characters that I like." Unfortunately, Alita's worldwide box office was nowhere near big enough to immediately trigger a greenlight for such projects. Despite those issues, though, director Robert Rodriguez hasn't given up on seeing further Alita adventures.

As recently as January 2021, Rodriguez said that a follow-up could emerge thanks to the power of streaming services. "I think anything is possible. Disney bought Fox, and they have Disney+, so that is worth the conversation," Rodriguez observed (via Slash Film). "I know other people would love to see another, and I would love to do another one. ... It's already a pre-sold concept, it's already got a built-in audience that wants to see it, and then it's delivered to them in a way that's the easiest for them to consume. So, it's not a bad idea." No further updates have emerged, so it's unclear if this is just wishful thinking on the part of Rodriguez. But with the avenue of streaming services, Alita fans may still have a whisper of hope of seeing further adventures in Iron City.