The Best Scarlet Witch Easter Eggs In The MCU

Ever since she made her debut in X-Men #4 in March 1964, Wanda Maximoff — a.k.a. Scarlet Witch — has had a significant presence in the Marvel Comics universe. It's only fitting, then, that she'd secure a similarly prominent role in the Marvel Cinematic Universe. Her presence in the MCU has included appearing in five different movies as well as co-headlining the franchise's first Disney+ TV show, WandaVision. Given that Wanda has become such an important character in this expansive media franchise, it shouldn't be a shock that there's also a large number of Easter eggs scattered across the MCU related to her past.

A handful of these Easter eggs are callbacks to the character's earlier appearances in the MCU, while the majority of them are tips of the hat to her various comic book incarnations. Some of those iterations have engaging complex storylines or superpowers that could be tricky to translate into a live-action movie. As a compromise, these Easter eggs work as nods to some of Scarlet Witch's most notable comic book excursions without totally alienating general audiences. Whatever the reason behind these various Easter eggs, they serve as further evidence of Scarlet Witch's importance in Marvel's big-screen mythology. 

Wanda was introduced to the Marvel Cinematic Universe before Disney purchased Fox, which meant significant portions of her comics backstory needed to be changed. Because Wanda was both a mutant and an Avengers mainstay in the comics, both companies had the film rights to the character. However, both studios were restricted on what they could do with Wanda — as well as her brother Pietro Maximoff, a.k.a. Quicksilver. For Marvel Studios, this shared custody agreement meant  that they could use Wanda, but couldn't make her a mutant — or, obviously, the daughter of Magneto. Thus, while Wanda still has a twin brother named Pietro Maximoff in the MCU, her parents are normal human beings. 

Another part of her origin story that was altered: The MCU's version of Wanda hails from the European country of Sokovia rather than her original comic book country of origin, Transia. Though the names of the countries have changed, Sokovia bears more than a passing resemblance to Wanda's original homeland. Like Transia, Sokovia is a fictional Eastern European country rife with political turmoil — making it a subtle nod to Wanda Maximoff's original home for comics fans.

Not all superheroes start out as superheroes. Some start out like Tony Stark — arrogant people so blinded by their own wealth that they can't see how their actions affect others. Other superheroes begin their journeys as outright supervillains — like Wanda Maximoff, for example. She and her brother Pietro began their time in the Marvel Cinematic Universe as voluntary human guinea pigs for the terrorist organization known as Hydra. These experiments gave them both their superpowers, and they eventually joined forces with the diabolical robot Ultron as his super-powered henchmen. In their time working for Ultron, Wanda and her brother tormented the Avengers and helped lay the groundwork for the maniacal robot's plan for world domination.

While this is different from the duo's origin story in the comics, it isn't a complete change — Wanda also started out as a villain there as well. There, she and Pietro, as the children of Magneto, were critical figures in the Brotherhood of Mutants and frequently fought the X-Men. Much like their film incarnations, though, Wanda and Pietro didn't stay villainous for long. In both mediums, they eventually turned against their evil masters and went on to work for the Avengers — just as comics readers always suspected they would.

In the MCU, Hawkeye and Wanda Maximoff have developed a close bond since meeting in Avengers: Age of Ultron. Their first big meeting didn't seem to signal that dynamic, though, as it entailed Wanda, still working as a minion of Ultron, trying to sneak up on Hawkeye only for the archer to plug an electrical arrow onto her forehead. However, the two superheroes grew closer once Wanda defected to the Avengers. This was solidified by the climax of Age of Ultron, which saw Hawkeye giving Wanda a big speech about what it means to be an Avenger. His rapport with Wanda took on a paternal sense of protection after her brother Pietro sacrificed himself to save Hawkeye.

This dynamic has continued in subsequent movies, including Captain America: Civil War, when Hawkeye is sent to rescue Wanda and help her remember that she can help people, as well as a small moment at the end of Avengers: Endgame. The pair has also had a close bond in the comics, though it's been more complicated there — specifically because Hawkeye's had romantic feelings for Wanda that put him at odds with Vision. While their relationship has been altered for the movies, Hawkeye and Wanda's MCU closeness echoes the comics.

In describing how the Star Wars movies have parallels to each other, George Lucas once remarked that "it's like poetry... they rhyme." There's a similar theme of consistency found in the life of Wanda Maximoff in the Marvel Cinematic Universe. The character is always encountering one tragedy after another in this franchise in the form of losing her closest loved ones. Whether it's the death of her parents, the demise of her brother Pietro in Avengers: Age of Ultron, or Thanos murdering Vision in Avengers: Infinity War, heartbreak is a common experience for Wanda. It's understandable that parallels could be drawn between these individual tragedies — but even Wanda's most upbeat moments evoke her most traumatic experiences.

That sense of rhyme is felt in WandaVision when Wanda gives birth to her twins, Tommy and Billy. As she and her neighbor, a disguised Monica Rombeau, bring the babies into the world, the two have a conversation that evokes the dialogue shared by Wanda and Vision in Avengers: Infinity War when Wanda is forced to kill him in order to prevent Thanos from obtaining the Mind Stone embedded in Vision's forehead. The words once used as Wanda took a life are echoed as she experiences giving life: Like Vision, Monica tells Wanda they've run out of time, and to look at her as she reminds Wanda "you can do this." As she did before destroying the Mind Stone, Wanda insists she can't; like Vision, Monica promises her she can. Once you see it, the symmetry here is impossible to ignore.