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Untold Truth Of The Super Mario Bros. Movie

No one could have imagined that a movie adaptation of what might be the most beloved video game franchise of all time would turn out to be an incomprehensible and strangely dark disaster on every level. Super Mario Bros., released in 1993, was the first video game to be adapted into a full-length live-action Hollywood feature film. Somehow, miraculously, it wasn't the last. It starred Bob Hoskins and John Leguizamo as Mario and Luigi, and was one of those rare movies where none of the stars aligned and all of the cylinders misfired. Drama, misfortune, incompetence, and just all around idiocy sullied every aspect of the production, from the script all the way to the editing room.

There's a lot of failure to cover, so let's get started revealing the untold truths of the Super Mario Bros. movie.

It was written by a small army

Here's a dirty little Hollywood secret: If you're watching a movie made by a major Hollywood studio, there's a good chance it was either partially or completely rewritten multiple times by multiple writers. Even then, Super Mario Bros. had a lot of writers by comparison. Around a dozen writers turned in drafts, with a number of writing teams being brought on and unceremoniously fired for not delivering on the vision whichever director the movie had that week had in mind.

Early scripts were more reminiscent of the games. They were colorful, bright, and featured many of the villains and allies Mario encountered throughout his side-scrolling adventures. Oh, and Koopa was a giant spiked lizard (as opposed to Dennis Hopper). They were at least a bit closer to the fairy tales they should have been. But when producers finally settled on a pair of directors, a husband and wife team named Annabell Jankel and Rocky Morton, creators of the iconic underground dystopian sci-fi character Max Headroom, they brought along their own ideas for script revisions. Their ideas were mostly what you end up seeing in the movie that exists today, but the film's producers were so worried that they'd so radically moved the script from its source material that a new set of writers were brought in to fix it. The producers then barred the directors from even speaking to the new writers. When the principal cast of the movie arrived on set and read the new version of the script for the first time they were furious. It wasn't at all the movie they had signed on for. This set the tone for the production to come.

The big name actors who almost played Mario

There's no denying that Bob Hoskins was one of the most Mario-looking actors around at the time. And considering that Mario isn't much of a character outside of a few catchphrases, Hoskins' portrayal of the overall-clad hero isn't too bad. But the role could have gone to a few different actors, all of whom are legends in their own right.

Two-time Oscar winner Dustin Hoffman wanted the role of Mario but Nintendo, which was more involved in the production early on than later when everything was a mess, didn't feel he was right for the role. So producers turned their sights to Danny Devito, but he also turned them down.

Then producers looked to the man who is now one of the biggest names in Hollywood history: Tom Hanks. At the time, Hanks was a rising star who charmed in every film lucky enough to cast him. Unfortunately for him (but ultimately very fortunately for him), he didn't get the part. His two most recent films, The 'Burbs and Bonfire of the Vanities, were disappointing flops that scared off producers at the time. His star power had momentarily taken a hit but would soon recover and grow stronger than ever. In the years to come, he would win two Academy Awards and become one of the biggest stars in the world. It's probably for the best. If he had won the role of Mario, who knows what the effect could've been on his career to follow.

It was inspired by Blade Runner and Die Hard, not the video games

You might be wondering where all these screenwriters were taking their inspiration from, if it wasn't from Mario's bright video game world. That's a fair question with an answer that might infuriate you: big-budget, adult-oriented, R-rated, extremely violent action movies. Namely, Die Hard, Mad Max, and a little splash of Blade Runner thrown in, because why not?

In the late 1980s and early 1990s, those three films were the cultural touchstones everyone was referencing when it came to big-budget action and science fiction. The Die Hard inspiration was so extreme that one version of the script even called for a Bruce Willis cameo. The idea was for him to be crawling through the air vents above Koopa's office. Taking direct inspiration from the Mad Max series, another version of the screenplay had the characters driving tricked-out post-apocalyptic cars and participating in death races. It seems like nobody in charge of making a Super Mario Bros. movie actually wanted to make a Super Mario Bros. movie. The next point makes that abundantly clear.

Mario + Luigi - Overalls = Bad

The directors were brought in for their artistic vision. They had worked primarily on music videos and had some experience making a couple of dark, trippy feature films. When it came to the visual aspect of making a movie, they were legitimately innovative for their time. But their philosophies might have been a little too wild for Super Mario Bros. Case in point: they didn't even want to dress Mario and Luigi in their classic red and green overalls. They argued with the producers for most of the length of the production, with the producers demanding that Mario and Luigi look at least a little bit like the characters in the video games. Morton and Jankel fought them tooth and nail for about three-quarters of the production until they gave in. If not for the producers' dogged insistence, the only visually recognizable aspect of Mario and Luigi would be Bob Hoskins' mustache.

The directors were disliked by the cast and crew

Morton and Jankel must've had a really rough time making this movie. Not only was the movie bad and everybody on set knew it, but their primadonna attitudes and arrogance effectively ruined their film careers and any chance of making even a single friend onset. The cast and crew practically hated the directing duo, often resorting to calling them names behind their backs and grumbling about their bizarre and mean antics. After the production, Hoskins and Dennis Hopper had unkind things to say about their directors. Hoskins believed Morton and Jankel had no idea what they were doing. Dennis Hopper later complained that the two never communicated ideas or script changes to one another, leading to mass confusion onset.

Their reputations took the biggest hits when, according to John Leguizamo, Morton was looking over the extras. He thought one of them didn't look dirty enough, so he grabbed a cup of coffee and poured it over the extra's head. The extra reportedly screamed in pain as the hot coffee ran down his back and chest. Morton claims the coffee had been sitting around for a while, but then contradicts himself by saying that when the extra complained it was hot he doused the extra with cool water to soothe the pain.

John Leguizamo's on set drunk driving

Leguizamo and Hoskins were so over the production's tormented run that they started drinking scotch on set to pass the time and make the dark days go by a little easier. But as luck would have it, on one of the days they were kicking back shots they were called onto set to shoot a scene where they had to drive the Mario Bros. plumbing van. Leguizamo was reportedly feeling the effects of that day's boozing and was a little shaky behind the wheel. When the directors yelled "Action!" he slammed the accelerator, and then quickly slammed on the brake. The van's sliding door slammed shut on Hoskins' right hand. Hoskins had to wear a flesh-toned cast that can be seen at various points throughout the film.

The directors were banned from further participation

When production ended, the producers wanted to mitigate the financial losses they knew they were about to incur, so they spread the pain around by bringing in more producing partners. The now-massive team of producers decided the movie needed more action. Reshoots were scheduled. Remember earlier how Morton and Jankel were barred at one point from communicating with one of the many sets of screenwriters? A similar thing happened again. Twice.

The producers did not allow the directing duo to shoot even a single frame of the movie during reshoots. Their slow disassociation from the film reached its peak when they were also banned from the editing room. Morton claims the ban resulted from a disagreement between he, Jankel, and the producers over whether the film should be edited digitally, as is the modern day standard, or on old film editing machines called Moviolas. Though at that point, it sounds like they would've been barred anyway, regardless of whether it was edited on a computer or with magic.

Bob Hoskins really, really hated the experience

In August 2007, just over a decade after Super Mario Bros. was released in theaters and universally panned by critics, Bob Hoskins gave an interview to The Guardian wherein he expressed his true feelings about his experience working on the film. To say he doesn't hold back is putting it mildly: "The worst thing I ever did? Super Mario Brothers. It was a f***ing nightmare. The whole experience was a nightmare. It had a husband-and-wife team directing, whose arrogance had been mistaken for talent." Ouch.