The Untold Truth Of Get Shorty

If there's one thing we've learned from Hollywood over the years, it's that those in the movie business love making movies about making movies. In turn, the business, art, and seedy underbelly of show biz have fueled the narratives of some of the most marvelously meta movies ever produced. The Player, Ed Wood, and Tropic Thunder are among the more prominent flicks lampooning the madness of making movies, even as they also lovingly embrace every absurd behind-the-scenes moment. Still, few of those "movie" movies have so incisively observed the line thin between satirical skewering and radiant adoration of Hollywood than 1995's crackling crime comedy Get Shorty.

That film found savvy Miami-based loan shark Chili Palmer (John Travolta) tracking a debtor all the way to the sunny/smoggy vistas of Los Angeles and eventually looking to leave his life of crime behind to start anew in the movie biz. It also found him learning the hard way that show business is every bit as cutthroat as the gangster game, with various industry "insiders" endlessly testing both his wit and his will. Those who've seen Get Shorty know full well that Chili's Hollywood adventure is as dangerous as it is hilarious. And those who haven't should know Get Shorty is a crime comedy masterpiece that should head to the top of your "must-see" queue with utmost haste. Either way, here are a few things you probably never knew about Get Shorty.

Depending on your age and or generational affiliation, the name John Travolta can illicit dramatically different reactions from movie lovers. If you grew up in the 1970s, he's an absolute icon thanks to star-making turns in Saturday Night Fever and Grease. The '80s kids out there would no doubt point to more culty cinematic classics like Urban Cowboy and Blow Out to paint Travolta as a semi-fringe figure who's eclectic taste in projects didn't always translate to blockbuster results.

These days, most moviegoers would acknowledge Travolta's career has become a bit farcical and not in that cool Nic Cage sort of way. As for the '90s set, Travolta remains Hollywood's comeback kid with the actor's career earning second life on the back-to-back successes of 1994's Pulp Fiction and the film that followed a year later, Get Shorty. 

However, according to the Los Angeles Times, when Travolta was offered the role of Chili Palmer, he surprisingly turned it down — twice. Turns out, the man who finally convinced Travolta to take the role of Chili Palmer was his Pulp Fiction director, Quentin Tarantino, who reportedly told the actor, "John, this is not the one you say no to. This is the one you say yes to." Thankfully, Travolta did "say yes," and he cemented his "comeback kid" status with a Golden Globe win to boot.

Get Shorty is most famous for exploring the shady machinations of Hollywood, but it also works because it feels equally authentic in its depiction of low-level mobster shenanigans. Not surprisingly, author Elmore Leonard took his cues on the crime front from someone with first-hand knowledge of the scene. That "someone" was a semi-retired private investigator whom Leonard had befriended while researching several of his past novels. And as you might've guessed, the private investigator's name was Ernest "Chili" Palmer, whose friendship and guidance Leonard eventually repaid by giving Palmer's name to the hero of Get Shorty.

Palmer's involvement with Get Shorty didn't stop there, though. According to the New York Daily News, when Leonard's book found itself getting the full-on Hollywood treatment a few years after its publication, the real "Chili" earned an invite to set, and he even landed a cameo in the film. If you're wondering where you can see the man in the flesh, he turns up early in the action, standing at the side of Dennis Farina's fast-talking gangster, Ray "Bones," as one of his silent, intimidating tough guys. And we gotta say, Palmer more than carries the role with a fine bit of "look at me" staring that would put Martin Weir to shame.

For a movie to attain both the level of critical and commercial success that Get Shorty did, a lot of things have to work out. Perhaps most importantly, a crackerjack piece of screenwriting is essential in kicking a production off on the right foot. And historically speaking, adapting the often wordy work of Elmore Leonard had proven difficult for most prior to Get Shorty. Tasked with translating the dialogue-heavy book to the screen, Scott Frank (Out of Sight, The Queen's Gambit) delivered the goods by doing what most screenwriters hadn't before — staying as faithful to Leonard's source material as possible.

What Frank delivered was a script steeped more in languid delights than plot-moving contrivance. Turns out Frank had some help in keeping his Get Shorty screenplay true to Leonard's vision, and that help came from none other than John Travolta. The actor himself fell in love with the novel after being offered the role of Chili Palmer. As Travolta told Time in 2001, he was so impressed with Leonard's verbiage that he agreed to do the movie on the condition that much of the book's dialogue be faithfully restored in the screenplay, which even Frank had changed up in places. As Travolta to put it, "I said I'd do the movie, but they had to put back everything they paraphrased." Producers wisely heeded the request, with many of those classic Leonard flourishes feeding some of the film's most memorable moments.

It's easy to say nabbing the talents of Travolta, DeVito, Lindo, and Russo helped elevate Get Shorty's profile to near-prestige picture status. But it was the casting of B-movie producer Harry Zimm that really made Get Shorty legit, as the film's producers landed the mammoth talents of a bona fide Hollywood titan for the pivotal role in screen legend Gene Hackman. By the time Hackman signed up for Get Shorty, he was already a two-time Oscar winner with little to prove in the movie biz, but even with so much success and acclaim to his name, it seems Hackman was quite wary of playing Harry Zimm.

That's mostly because he'd never really done a proper comedy prior to appearing in Get Shorty. As such, Hackman was reportedly worried he couldn't play funny. Per the BBC, the actor needed serious convincing to take the part, at one point telling director Barry Sonnenfeld, "I don't do comedies. I don't want to be the guy who looks like he's trying to be funny." Luckily, Hackman was convinced to jump aboard. And to the surprise of no one, he delivered a hilarious, scene-devouring turn more than worthy of his celebrated cinematic oeuvre.

Being a behind-the-curtain sort of Hollywood flick, it's no surprise that the cast of Get Shorty is comprised of big-time talent (even Bette Midler appears in an uncredited cameo) and actors then on the fringes of stardom (including Lindo, Gries, and a pre-Sopranos James Gandolfini). Turns out Sonnenfeld and company landed a few other "fringe" players for various roles in the film, one of whom was a young Ben Stiller.

If you're struggling to remember Stiller in Get Shorty, it's because he didn't make the final cut. Luckily, Stiller's deleted scenes were included as an extra for Get Shorty's special edition DVD release. And those of you who've seen Stiller's "Graveyard Scene" via that DVD know the moment is downright hilarious.

For those who haven't, the scene is much like the one Rene Russo's character, Karen Flores, bemoans having spent the day shooting when she meets "Chili" for the first time. And let's just say her already funny description of such a day doesn't even come close to doing Stiller's deleted scene justice, with the actor ripping up the moment opposite Hackman as a cocky young director trying to do way too much with what's clearly C-movie material.

While Barry Sonnenfeld may have been on the fence about his final cut of Get Shorty, the film quickly found favor with audiences the world over, debuting in the number one spot at the box office. And as far as fans of the film go, it seems Sonnenfeld and his Get Shorty crew also found a fan in the man who wrote the book, Elmore Leonard. That's saying a lot as Leonard hadn't been particularly happy with any adaptations of his work prior to the release of Get Shorty. Still, after seeing the movie in person, he told The New York Times, "It's the best adaptation I've had."

Leonard went on to add that he believed this adaptation worked because Frank and Sonnenfeld took seriously even the most ridiculous of his kooky characters and small-time mobsters — all of whom Leonard points out take themselves just as seriously. Turns out the author had even sort of missed many of his own punchlines in the book, as he claimed he hadn't quite seen the story's full comedic potential himself. "I saw the movie and thought, 'I didn't know the book was so funny." It was. And it still is. Likewise, over two decades after its release, Get Shorty remains the pinnacle of big-screen adaptions from the late author's prized literary canon.