Wrap Yourself In These Facts About 1999's The Mummy

No one at Universal Studios predicted that Stephen Sommers' remake of 1932's "The Mummy" would become a smashing success at the box office and an enduring action-adventure classic. Boris Karloff starred in the original film, which doesn't share much with its modern remake. For starters, no one is consumed by a giant wall of sand. Movie-goers in the late '90s were desperate for an action hero that didn't take himself too seriously and a mummy that embodied a real sense of danger. As Stephen Sommers said in an interview with Cinefantastique, "If you tossed this idea around town you'd have people saying you could easily outrun them, or why not just tear their arms off? We wanted to create something that would be frightening and dangerous."

"The Mummy" took in a whopping $150 million over a budget of $80 million, while the most stringent critics couldn't help but be charmed. According to Roger Ebert, "There is hardly a thing I can say in its favor, except that I was cheered by nearly every minute of it." The film had a winning combination of a charming, rugged action hero in Brendan Fraser, a brilliant female lead, and a host of adventurous misfits determined to ignore all warnings, open terrifying tombs, and read aloud from the book of the dead. Fresh off his success in "George of the Jungle," Fraser shared undeniable chemistry with Rachel Weisz that helped make "The Mummy" one of the most beloved films of the '90s.

"The Mummy" might have been an action-adventure blockbuster with undead villains, but that doesn't mean it wasn't concerned with historical accuracy. To bring as much realism as possible to the film (when not attempting to animate corpses), Stephen Sommers called in the help of noted Egyptologist Doctor Stuart Smith from UCLA. Arnold Vosloo, who starred as Imhotep, worked with Doctor Smith to get the dialogue and the lines perfect, primarily as no one had heard ancient Egyptian spoken in over two thousand years. According to an interview with Sommers in Cinefantastique, "Doctor Smith really had to coach us." Vosloo was happy to go the extra mile to portray his vengeful mummy as authentically as possible, speaking with Doctor Smith over the phone and phonetically learning lines until 3:00 a.m.

Even the crew was committed to creating as many authentic props and sets as possible. Production designer Allan Cameron even made long trips to the British Museum to find his inspiration. "I...spent hours in their library, researching Egyptology," Cameron said. "I found this amazing volume that Napoleon had commissioned when he invaded Egypt. He had his artists, etchers, and archeologists catalog all the artifacts and tombs they found in ancient Egypt. It became our art department bible."

While it seems impossible now to imagine "The Mummy" as anything other than a comedy-horror "hokum" flick, that's not how the film was initially planned. "The Mummy" went through over nine years of development, multiple scripts, and several different directors before being turned over to the hands of Stephen Sommers. Filmmakers like Joe Dante ("Innerspace"), George Romero ("Night of the Living Dead"), Clive Barker ("Hellraiser"), and Alan Ormsby ("Shock Waves") would all do screen treatments for a possible mummy movie with Universal Studios.

These earlier scripts were generally more of a straight horror movie, though one did have a version with the mummy being transported to Beverly Hills and wreaking havoc at a local lab. There was even a discussion about having "The Mummy" be more like "The Terminator." There's also a Hollywood rumor that Tom Cruise, Ben Affleck, and other popular male leads at the time were originally offered the part of Rick O'Connell. However, despite the popularity of said rumors, we couldn't confirm that they were correct. Sommers has stated in several interviews, Entertainment Weekly being one, that "My editor and producing partner, Bob Ducsay, as soon as he read the script, he said, 'This is Brendan Fraser.'" Obviously, Fraser was the correct choice, whatever the other options.

Rachel Weisz might have only played a librarian in "The Mummy," but she still had a lot of stunts to perform for the action film, including camel riding (which she hated). There's one stunt that stands out in the actress's mind, which she talked about with The Birmingham Post: "I didn't do that many but there was one bad one where I had to turn round to shoot a rider on a horse. He was on a pulley that yanked him off and he broke both his arms. They still used the shot though."

Prior to her role as Evelyn Carnahan in "The Mummy," Weisz was still relatively unknown. She'd starred in a few independent films and TV movies ("My Summer with Des"), and was the female lead in the Keanu Reeves dud "Chain Reaction." She hadn't made a splash with American audiences yet, but all that changed once she starred in "The Mummy." In an interview with The Mirror, Weisz confessed she'd not thought about doing a big-budget movie before. However, she says, "I read it and I thought, 'This is a funny character. She's a librarian in an action movie.'" Oddly enough, after the popularity of "The Mummy," Playboy invited Rache Weisz to model for the magazine, recreating her librarian character from the film. She declined.

As much as "The Mummy" is clearly a work of fiction, Imhotep was not a creation of Stephen Sommers or the other two writers who worked on the film, Lloyd Fonvielle and Kevin Jarre. In the 1932 version of "The Mummy," Boris Karloff is also Imhotep and similarly searches for a modern-day reincarnation of his lost love, Ankh-esen-amun. It appears that the original film's writers John L. Balderston, Nina Wilcox Putnam, and Richard Schayer relied on ancient Egyptian mythology and folklore in their work.

Imhotep was a real person, a high priest, architect, and healer who lived sometime during the reign of the pharaoh Djoser (2667-2648 BC). From what we know, Imhotep designed the Step Pyramid of Djoser, which is located in Saqqarah. He was also a well-known physician who was deified after his death, becoming a god of medicine. Even though Imhotep never had an affair with the pharaoh's mistress, the fact that he was eventually revered as a god makes him a great candidate for a legendary curse and mystical powers over the sand. The city of the dead Hamanaptra, however, is purely fictional.

Kevin J. O'Connor played the hilariously evil Beni Gabor, the opportunistic henchman for the mummy. Stephen Sommers, who had worked with O'Connor on "Deep Rising," called to tell him about the part of Beni, believing he'd be perfect for the role. He turned out to be an ideal fit, even creating many of the physical aspects of his character. In an interview with Jim Conlan Chats, O'Connor remembered petitioning the costume department for pants that didn't fit and growing a mustache to make the character seem even more ridiculous. He also chose to wear open-toed sandals, which he regretted on the first day of filming when something moved underneath the sand beneath his feet.

O'Connor also ad-libbed one of his most famous comedic lines praising the mummy: "I loved the whole sand wall trick. It was beautiful." At the time, the actors had no idea what this "wall of sand" would look like, so O'Connor called up the producers to describe it to him. The actor intentionally added the line to reinforce the impression of a slimy employee man "kissing up to his boss." Beni became a popular character, and even though he died in the first film Stephen Sommers talked with O'Connor about the possibility of bringing Beni back for the sequels, reanimated as a "discombobulated mummy." In the end, there was so much jammed into "The Mummy Returns" that there was no room for Beni to return.

Most of the exterior scenes in "The Mummy" were filmed in Morocco, particularly in the deserts surrounding Erfoud. During the '90s, there had been a resurgence of political violence in Egypt, making it a dangerous location for film shooting. While Morocco was stable at the time, there were still some, shall we say, unique concerns over the safety of the main actors.

During filming, producer James (Jim) Jacks actually took out kidnapping insurance policies (yep, that's right, kidnapping) for each of the film's big stars. According to Brendan Fraser, the policies for the actors were worth $1 million, a decent amount of money, though Fraser had a few concerns over the figure, saying, "We were like, "So, basically, you put a bounty on our head?" He's like, "That's one way of looking at it." A fair concern. However, not all the stars had the same insurance. Kevin J. O'Connor, who played Beni, discovered that his insurance policy was only for $50,000. He wasn't too bothered about it, though, joking to Jacks that "Eh, $50,000. That should do it."