Movie Scenes Cut For Being Too Offensive

Fortune often favors the bold when it comes to making movies, but just because a film's director is willing to push the boundaries of decency in the name of making compelling entertainment doesn't always mean they're guaranteed to get away with it. In fact, sometimes they end up paying the ultimate price and watching bits of their hard work snipped away and left on the cutting room floor before audiences even have a chance to see it.

Needless to say, there's a long history of filmmakers forced to make tough decisions in post-production in order to get their movie into theaters, and the films that have ended up undergoing changes aren't always the ones you might think. We've peered into Hollywood's past to round up some of the more memorable instances in which movies underwent last-minute surgery in order to avoid upsetting audiences. From instances of extreme violence to explicit sexual content, the following scenes were all considered too offensive to be allowed.

The YA genre isn't exactly known for brutal violence, but the first book in Veronica Roth's Divergent trilogy contains a scene in which a character named Edward is stabbed in the eye with a butter knife while sleeping. Tris (portrayed by Shailene Woodley in the film adaptations) stems Edward's bleeding.

A version of this disturbing turn of events was filmed for the first Divergent movie, but wound up getting axed. Director Neil Burger came to Lionsgate's defense over the decision to remove the scene, claiming it had more to do with overall cinematic flow than achieving a PG-13 rating. But he then went on to admit that there was "a lot of trimming" done to tone down the more violent elements.

If they had chosen to stick to the source material and include the grittier moments from Roth's novels, then maybe the franchise wouldn't have collapsed. After third film Allegiant bombed, fourth installment Ascendant was re-imagined for TV, which caused Woodley to drop out.

2016's Zootopia set a new March record for animated movies when it opened to a $75 million haul, Walt Disney Animation's "biggest opening grosser ever," according to Deadline's calculations. The film wound up scoring an incredible 98 percent on Rotten Tomatoes, whose critics lauded it for its sumptuous animation and "thoughtful, inclusive message," though Zootopia's message was delivered in a far blunter fashion when it was first conceived.

The film we saw in cinemas was a deft commentary on racial profiling, with Zootopia's minority predator population discriminated against by the fearful prey, despite their efforts to live harmoniously. The original script (in which cynical fox Nick was the protagonist, not idealistic bunny cop Judy) contained something called "taming parties" in which predatory animals were fitted with collars that shocked them whenever they had a carnivorous thought.

"It stuck around a very, very long time because we found it emotionally compelling," co-director Byron Howard revealed during his blu-ray commentary (via AWN). Compelling it may have been, but upon reflection, Disney decided the shock collars struck the wrong chord. "They're the Zootopia equivalent of having Jewish people wear the Star of David," SlashFilm said of the deleted scene.

Half live-action and half animation, Osmosis Jones follows enthusiastic white blood cell Osmosis (Chris Rock) and cold medication pill Drix (David Hyde Pierce) as they attempt to save their human host (Bill Murray) from a deadly virus. The movie tanked with critics and audiences, and whether the footage that was removed from the final cut would have made much of a difference is hard to say, but it certainly would have made a lot more sense had it been released intact: earlier drafts explained the absence of Ozzy's family and how William Shatner's Mayor Phlegmming ended up out of office.

One particular scene, set in Frank's testicles, was given the axe because it was deemed too offensive for younger members of the audience. Ozzy and Drax were supposed to visit Gonad's Gym to question the sperm cells working out there, but in the final cut, the only reference to the place is a sticker that briefly appears on Drax's suitcase.

Paul Verhoeven made two cuts to his sci-fi classic RoboCop to bring it down to an R. The offending scenes involved leading man Peter Weller and Kevin Page, who played the young executive that gets shot to ribbons during a botched demonstration of the ED-209 police robot. "He finally got the R in the last round of submitting to the ratings board by cutting four seconds: two seconds of me being shot on the table and two seconds of the back of Peter Weller's head coming off," Page told The Hollywood Reporter.

Weller (who starred as Alex Murphy, the policeman who becomes Robocop) had the more memorable of the scenes in question—his hand and arm are blown off by shotgun blasts before he takes a bullet to the forehead. An elaborate model of Weller was created for the sequence, which originally showed the exit wound in extreme detail, though this shot lasted less than a second in the theatrical cut.

Wes Craven's Scream had to fight with the MPAA to get an R rating, and while he refused to alter the opening scene in which Casey (Drew Barrymore) is stalked by the killer, he agreed to remove the shot of her boyfriend's steaming intestines spilling out.

There was one scene toward the end that also had to be tweaked, involving two characters (Stu and Billy) stabbing each other repeatedly. "Almost the entire third act had to be drastically altered," Craven told Bloody Disgusting. "You know, the whole scene in the kitchen with the boys stabbing each other to establish the alibi, all of that."

When Craven made Scream 4 in 2011, he was surprised to find the censors in a far more lenient mood. "On this film, to my astonishment frankly, there were no cuts demanded," the horror veteran added. "I guess if nothing else, it's a great example of how as a filmmaker you just have no idea what the MPAA is going to do."

Anyone who's seen Andy Muschietti's adaptation of Stephen King's classic It knows that it's plenty disturbing, but if True Detective creator Cary Fukunaga had stayed on, things would have been even creepier. According to The Telegraph, Fukunaga, who was at the helm of the project between 2012 and 2015, put together a screenplay that "horrified" the parents of prospective child actors with its "gross" sex acts.

The Telegraph quoted parents who were shown his script, with one calling out the producers for attempting "to hire underage actresses to make out with creepy old men," and another expressing shock at how far a scene featuring forced incest went.

To be fair to Fukunaga, King's novel was more shocking still: the Loser Club's only female member has sex with all six of the boys in order to save them. "The sexual act connected childhood and adulthood," King explained. "Times have changed since I wrote that scene and there is now more sensitivity to those issues."

When a movie aimed at kids seems to promote tactics used by child groomers, that's a problem. 2018's Show Dogs is a supposedly family-friendly buddy comedy starring Arrested Development's Will Arnett as Frank, a cop who gets partnered with a rottweiler named Max (Chris "Ludacris" Bridges) and tasked with infiltrating a prestigious dog show. To avoid blowing their cover, a reluctant Max has to have his testicles inspected by judges. The problem wasn't the inspection itself (which is a common practice at such events) but the way in which the mortified mutt is told to deal with the situation.

"He was telling him he needs to go to his 'zen place' and I like right away was, 'Wait... what?'" These are the words of Arizona mom Terina Maldonado, who penned a letter about the movie that wound up going viral (via USA Today). "When it turns into this big pivotal scene in the end and he needs to be allowed to be touched to win the competition, [...] red flags were going up and around in my mommy head." Global Road Entertainment responded to the growing controversy by removing the offending scenes before issuing an apology to parents.

There are numerous examples of politically incorrect moments in classic Hollywood movies that most certainly wouldn't make it past censors today, like Mickey Rooney's portrayal of a Japanese man in Breakfast at Tiffany's or Disney's now-infamous reconstruction era movie Song of the South. Not many of them are as recent as 1985's Back to the Future, but at least director Robert Zemeckis had the good sense to cut a blatantly homophobic scene before the movie hit theaters.

The film's plot revolves around a teenager (Michael J. Fox's Marty McFly) traveling back in time and inadvertently becoming his own mother's love interest, so it was always going to be tightrope walk for Zemeckis. In the end he got the balance right, but the deleted scene would have been a huge problem had it remained. In it, Marty tells Emmett "Doc" Brown (Christopher Lloyd) that he's feeling a little weird about the situation he's found himself in. The Doc responds by telling him to "take a few liberties with her" (which is creepy enough as is), but it's Marty's reply that really shocks. "What if I go back to the future and I end up being... gay?"

Numerous movies, television shows and even video games needed to be altered in some way following the tragic events of September 11, 2001. The World Trade Center was going to feature in Sam Raimi's Spider-Man and was originally the setting of the final showdown in Men in Black II. Even the notoriously violent Grand Theft Auto III was changed, with publisher Rockstar Games axing a mission that involved terrorists. But what changes did Disney have to make post-9/11? Surely the World Trade Center wasn't part of the storyline in 2002's Lilo and Stitch?

The Twin Towers were never going to be included in the Mouse House's 42nd animated feature, but the original climax of the Hawaii-set movie would have undoubtedly evoked memories of the horrific attack so soon after it took place. The first cut featured Stitch and friends hijacking a 747 commercial airliner as part of their attempts to save Lilo from her alien kidnapper, crashing through buildings and causing carnage as they give chase. The plane was swiftly changed to a spacecraft and the cityscape replaced by mountains. Over a decade later, the partially restored footage found its way online.

The Friday the 13th franchise has seen its fair share of final girls, but Kimberly Beck's Trish Jarvis is "perhaps the toughest cookie in the entire series," according to VHS Revival. The older sister of Tommy Jarvis (Corey Feldman), Trish goes toe to toe with a faster, more direct version of Jason Voorhees (Ted White) in 1984's The Final Chapter. Speaking to Fangoria in 1993, Beck revealed that the shoot was an emotional rollercoaster. "I cried every time they put water on me; I cried when I had to fall in the mud; I cried when I had to fight Jason," she said. "The scariest and hardest part of those scenes was when I had the machete in my hand — it was pretty sharp."

Beck added that some of her work didn't make it into the final cut of Joseph Zito's sequel, saying that what she considered her "best scene" was axed following a conversation between the director and producers. "It's the scene where I find my mother, and she's dead," Beck said. "The producer and the director decided the scene was too offensive, and I can almost agree — she didn't have sex, so how could she die?" Having sex is a surefire way to get yourself violently ended in the Friday the 13th universe, as poor Jimbo (Crispin Glover) and Tina (Camilla More) found out in The Final Chapter.

Disney+ users are met with a warning about "outdated cultural depictions" when they select some of the studio's older animated offerings, Fantasia included. Released in 1940, Disney's third feature film consists of eight individual segments, one of which was considered controversial from the beginning. The never-before-seen female centaurs (dubbed "centaurettes" by the Mouse House) in fifth segment  The Pastoral Symphony were originally drawn bare-breasted, but they ultimately fell outside of Motion Picture Production Code guidelines, meaning they had to be redrawn. The centaurs' breasts were covered up, but, remarkably, nobody saw a problem with the racially insensitive depictions of black centaurs in the Greek mythology-inspired segment.

In the original version, The Pastoral Symphony features two dark-skinned centaurettes named Otika and Sunflower, both of whom serve light-skinned characters. Otika rolls the red carpet out for Bacchus, the God of Wine, while Sunflower is shown polishing the hooves of a white centaurette. The studio started editing the characters out of the film in 1969, the year after President Johnson signed the Civil Rights Act. "It's sort of appalling to me that these stereotypes were ever put in," Disney editor John Carnochan, who removed numerous shots featuring the black centaurettes for the 1991 VHS release, told Entertainment Weekly. In the year 2000, Disney released a so-called uncut version of Fantasia to mark the film's 60th anniversary, keeping Otika and Sunflower out of sight with subtle pans and zooms.