However, like any piece of media, it's not without its share of detractors. "As it is, this is just another exercise in Elvis impersonation, its upper lip twitching to no purpose," comments Peter Bradshaw of The Guardian, explaining that he found Austin Butler's approach to Elvis Presley serviceable but not necessarily intriguing. Meanwhile, Richard Lawson of Vanity Fair titled his review "Austin Butler is the Only Thing That Works in Baz Luhrmann's 'Elvis.'"