The Untold Truth Of James Hong

Legendary character actor James Hong is someone you've undoubtedly seen or heard before, even if you don't know his name. From "Chinatown" to "Airplane!" and "Wayne's World 2," he's become familiar to audiences in roles that might not have been notable otherwise. Often cited as one of history's most prolific actors, he's managed to make his mark even in projects that didn't have much on the page — and he doesn't seem to want to slow down anytime soon, with notable recent appearances in "Everything Everywhere All at Once" and "Turning Red."

A working actor who's had his career for decades, James Hong initially struggled in an industry that didn't have many opportunities for him. But against all odds, he's succeeded even when the deck was stacked against him, so let's take a look at how Hong found success — and what he thinks of the roles that defined him.

James Hong wasn't given a lot to work with when he was starting out, but he worked hard to make his roles three-dimensional. When interviewer Ben Mankiewicz pointed this out, Hong responded, "If you didn't play the roles that were given to you, you would be not working at all. And so, in a sense, in order to keep up my craft, I had to take these roles as the Chinese railroad worker or laundryman and so forth."

In fact, Hollywood's terrible treatment of Asians is something that interviewer Mankiewicz's family has had a hand in. His great-uncle Joseph L. Mankiewicz, the famed filmmaker, made a 1958 adaptation of Graham Greene's "The Quiet American" which cast an Italian actor named Giorgia Moll as the most prominent Vietnamese character. It's a sign of how far we've come — and how far we still have to go.

While Hong was getting work in the 1950s and 1960s, there weren't a lot of opportunities for Asian actors to break out. Frustrated with the lack of substantial roles, he and a friend came up with a plan. "Mako ... came to my apartment and I said, 'Let's do something. We're not getting anywhere!' Everything was a step backwards. I said, 'Let's form some kind of group here, and do a play." They founded the East West Players and did a production of "Rashomon" that attracted the attention of director Robert Wise, who cast Mako and Hong in "The Sand Pebbles" — which would earn Mako an Academy Award nomination for Best Supporting Actor in 1967.

Despite the Academy Award nominations for that film, modern audiences probably know Mako more for his vocal performances, including his work in "Avatar: The Last Airbender." While vocal actors are rarely in the same room as their colleagues, Mako and Hong had a reunion of sorts when Hong did guest appearances in "Avatar" as a monk in the Season 1 episode "The Storm" and as Mayor Tong in the acclaimed Season 2 episode "Avatar Day."

"Big Trouble in Little China" may have been a flop when it was released in 1986, but the John Carpenter film has since become a cult classic. As with his earlier turn in "Blade Runner," a film that disappointed at the time is now one of the main things that people recognize Hong for.

Hong spoke of his fondness for the part to Polygon, telling the site, "It's no trouble for me to go from the benign grandpa to the villain, who is somewhat a version of Lo Pan. I always recall upon 'Big Trouble in Little China' and Lo Pan. It was a great thing for me to be in that movie with John Carpenter and accomplish what I did. That character, of course, replays in my mind ...There is almost always a facet of Lo Pan in other characters I play."

When James Hong landed — and lost — the role of martial arts mentor Shifu in "Kung Fu Panda," he missed out on a great opportunity to play a scene-stealing part. Ultimately, however, it turned out to be for the best — the character he did play ended up being the heart of the film.

He explained, "The role that I was supposed to play, Dustin Hoffman got the part. In the final moments of beginning the movie, they said, 'James, I'm sorry about that. But there is another role if you want it.' And Mr. Ping turned out to be a much better role than the old master because Mr. Ping had all those frailties, and I played that to the hilt ... It's a role that's got heart." Whether it was because the studio wanted a bigger star or because the role would have been too similar to the one Hong played in "Balls of Fury," Hong lost out — but wound up winning in the end.

"Everything Everywhere All at Once" is a film bursting with so much imagination that it can be messy at times. In a time when so many Hollywood films play it safe, that messiness is part of the movie's charm, but that also makes it fair to criticize — and James Hong has shared his own feedback regarding the film.

During Hong's chat with Consequence, interviewer Liz Shannon Miller said there's nothing she'd want removed from the film, but Hong disagreed. "I myself thought it was a little too long," he pointed out. "There was a little too much of the wheelchair going back and forth through the multiverses." Hong went on to say that he wished less of his performance had been cut from the final version, but his take on the movie was far from negative — he deemed it "one of these psychic movies that eats into a person's soul," saying he's happy that people are enjoying it.