Every Version Of The Hulk Ranked Worst To Best

In 2014, Bandai and Marvel teamed up for Marvel Disk Wars: The Avengers, a Japanimation offering in which Tony Stark develops a new digital system called DISK, or Digital Identity Securement Kit, which allows him to encode and trap his foes in super-villain jail. Naturally, Loki winds up with one of these wacky digital prisons and snares Iron Man, Thor, the Hulk, Captain America, and the Wasp. Thankfully, some random teens possess a unique Biocode that lets them free their super-friends.

Voice actor Fred Tatasciore, who plays the Hulk in the English-dubbed version, is starved for dramatic action. Each hero can only bust out of e-jail for about five minutes, so the Jade Giant pretty much just fights and growls in lieu of any real character progression—which makes sense, given that the program is little more than a commercial for the Bandai's "Bachicombat" game.

Ang Lee's 2003 film presented a nicely nuanced version of Bruce Banner's alter ego. In particular, one beautifully shot sequence follows Hulk as he hops from mountaintop to mountaintop in the ruddy desert. Steeped in unstated emotion, the scene remains one of the most poignant Jade Giant moments ever captured on film. 

The pathos is great, but Lee's entry is an otherwise clunky affair. While it tries to subvert the genre, it never finds its rhythm (perhaps thanks to numerous rewrites). Tacked-on moments, such as old Purple Pants' brawl with some CG monster dogs, gut the movie's emotional core. Hulk diverges from its source material, turning the superhero into a product of fatherly genetic manipulation, but the curious twist falls apart thanks to Nick Nolte's ham-fisted performance as Pops Banner. Hulk also lacks a central villain, aside from Nolte and Sam Elliott's too-sympathetic General Thaddeus "Thunderbolt" Ross. Even Eric Bana's version of Banner, although well-acted, feels too put-together for a character that should be unraveling. Plus, the CGI, which was pretty spiffy in its heyday, looks dated and cumbersome.

On the plus side, Bana does drop Bill Bixby's classic line "you wouldn't like me when I'm angry." 

True, LEGO Marvel Super Heroes and Marvel's Avengers are video games, but they qualify because, like most Lego games, they're a lot of fun. Super Heroes is a CG-block free-for-all in which a gazillion superheroes team up to stop an equal number of supervillains from nabbing all the "cosmic bricks"—a clever play on Marvel's wish-granting cosmic cubes. Bruce Banner and his alter ego don't have much to say and content themselves with Hulking out and breaking stuff; still, voice actor Fred Tatasciore does provide some great guttural sounds.

Marvel's Avengers, more of a labelmate than a sequel, pulls its plot points from The Avengers and Age of Ultron. Players can also go off on tangents inspired by other films like Captain America: The Winter Soldier and Thor. The computer-generated world and gameplay are more evolved, and our hero even has a few lines, although they're mostly cribbed from Ruffalo's dialogue. Despite the cutesy humor, which includes a painfully amusing groin-smash transformation and a Chitauri Dragon beat-down selfie, Marvel's Avengers shows off a wee bit more of the Green Goliath's range.

During the early 2010s, the Hulk was a busy boy. Not only did he leap from Earth's Mightiest Heroes to Avengers Assemble, but he also got his own spinoff in Agents of S.M.A.S.H. (or Supreme Military Agency of Super Humans). Unfortunately, Hulk and Banner serve chiefly as comic relief on the solid if workmanlike Assemble. Aside from a few episodes, including a "World War Hulk" adaptation and "Dehulked," there isn't much Emerald Avenger to write home about.

For S.M.A.S.H, though, he landed a leadership position and his own team of bruisers, including She-Hulk, his son Skaar, Red Hulk, and Rick Jones (as his gamma-irradiated alter ego A-Bomb). The series tried to underscore Hulk's heroics Rick Jones' web-based reality show, but seriously overestimated the charms of Office-style meta-narration, and the weekly flying-camera gags got old fast, but the short-lived series did showcase some solid Hulk action and a dollop of personal development.

Tatasciore also reprised his most verdant role in the direct-to-video film Hulk: Where Monsters Dwell, with Jesse Burch as Bruce Banner and a story in which an animated Doctor Strange tries to keep his green pal from tearing up the city thanks to Nightmare's subconscious meddling. While entertaining, the home release does little for the Hulk's mythos.

In 1982, Spider Man and His Amazing Friends merged with The Incredible Hulk to become part of the shrewdly titled '80s power hour The Incredible Hulk and The Amazing Spider-Man. Michael Bell, who played Wonder Twin Zan on Super Friends, starred as Bruce Banner, while Grape Ape himself, Bob Holt, provided the Hulk's snarls.

Like its predecessors, the Stan Lee-narrated Hulk centered on Banner's episodic quest to cure himself. The series also featured a rogue's gallery of comic book favorites like She-Hulk, Hydra, Puppet Master, the Leader, and, naturally, General Ross. For once, the writers remained faithful to the Jade Giant's bombed-out origins, for the most part, and also whipped up several new characters, including restaurateur Rio and his daughter Rita, who courted a cowboy hat-sporting Rick Jones.

Although the program only aired for 13 episodes, Hulk took on Quasimodo in an epic, literary-fueled feud that Marvel later adapted into its own comic. Some of the plots were half-baked and the animation could be fairly choppy—but powered by '80s nostalgia, this super-friend lands pretty close to the top.

Each half-hour of 1966's Marvel Super Heroes included three seven-minute segments, which explored the exploits of Iron Man, Captain America, Namor, Thor, and of course, the Hulk. Paul Soles and Max Ferguson lent their voices to Bruce Banner and the Hulk, respectively, and each mini-episode tackled one of his stories, such as his explosive origin or his early battles with the Leader.

Grantray-Lawrence Animation used xerography, which employs photocopying to create a sense of motion, to bring Marvel's panels to the screen. The lack of dynamic action might put some cartoon connoisseurs to sleep—movements are limited to facial expressions, punches, scrolling backgrounds, and the occasional explosive interjection—and the voice work can be lackluster. Sometimes, when the Hulk is supposed to snarl at the Leader's nefarious schemes, he just sounds annoyed.

Nevertheless, Hulk rips the artwork of Marvel's greatest creators right off the page, giving life to artists like Steve Ditko, Jack Kirby and Don Heck as well as the stories of Stan Lee. It also captures the spirit of Marvel's greenest guardian. Plus, only Spider-Man's own catchy tune tops the Hulk's awesome retro theme song.

Starring Bill Bixby as David Banner and Lou Ferrigno as the Hulk, CBS' The Incredible Hulk tested the live-action waters with a 1977 pilot film before delivering four seasons of pants-shredding action between 1978-'82. The series worked over the source material, changing Banner's first name and completely ignoring Rick Jones, Betty Ross, and General Ross; instead, Jack Colvin's intrepid reporter, Jack McGee, trailed Banner on his cross-country race for a cure.

Even though the stunts, effects, and formulaic plots are corny by today's standards, the man-on-the-run vibe worked well. The writers treated Banner and his plight with respect, using Ferrigno and Bixby's acting chops to good effect. Hulk may have wandered from its comics origins, but it stayed true to the books' core concepts, and it still inspires the many Hulks who've followed in Lou's chalky green footsteps. 

When CBS canceled the series in 1982, fans were left dangling, unsure of Banner's fate. Fortunately, NBC later bought the rights, bringing Banner and his big green pal back for three follow-up TV movies, kicking off with 1988's The Incredible Hulk Returns. and concluding with 1990's The Death of the Incredible Hulk. The second film in the trilogy, The Trial of the Incredible Hulk, is significant for including Stan Lee's first live-action cameo.