Whatever Happened To The Cast Of George Lucas' First Film, THX 1138

Before George Lucas went galactic with "Star Wars," he was a USC film student, turning heads with his 1967 15-minute dystopian short "Electronic Labyrinth: THX 1138 4EB." It caught the eye of Francis Ford Coppola ,who got Warner Bros. to greenlight an expanded feature version at a budget of $777,000.77.

Lucas said "THX 1138" was "a contemporary story about today, and therefore I want to make it out of existing things, but everything is real, only altered slightly in order to give it kind of an alien look." He originally wanted to shoot in Japan, but he was able to achieve his vision closer to home, utilizing over 20 San Francisco-area locations, including the Marin County Civic Center and the soon-to-be opened BART.

When released in 1971 the reaction was mixed, with one reviewer saying the title was impossible to remember, "for those of us who are still relatively uncomputerized," but earns praise today from Steven Spielberg, who remembers it as "one of the greatest science-fiction movies I'd ever seen." The dark film only earned $2.4 million at the box office, but introduced the world to Lucas' cinematic mind, and was essential in the creation of his next two pop culture-redefining classics: "American Graffiti" and "Star Wars." The film would later loan out its name to a sound system co-developed by the director, as an entire generation came to know "THX" as the three letters that symbolized ear-splitting theater surround sound.

In order to capture the cerebral world of "THX 1138" and make it seem more human, Lucas leaned on skilled actors working for scale ... and willing to completely shave their heads. It was a hard ask, one that forced them to employ patients at the drug rehabilitation center Synanon to fill in the backgrounds of scenes. For the actors who braved this new world alongside the young George Lucas, it was quite the journey — now, as the film rolls past its 50th anniversary, let's see whatever happened to the cast of "THX 1138," a film that changed everything.

When searching for his manipulative and mouthy SEN, Lucas wanted an actor comparable to Duvall's talents to play opposite him; casting supervisor Ronald Colby suggested prolific English actor Donald Pleasence. The pairing worked beautifully, although Lucas said that while Duvall was always prepared for a scene, Pleasence "didn't even bother to read his lines until about the third take." The actor only had nice things to say about his director, "It was an enjoyable film to make. Even at that point, I had a feeling George Lucas would go on to do some wonderful things. Technically, he knew everything about the business at a very young age."

Pleasence would cross paths with Duvall again four years later, playing Heinrich Himmler in "The Eagle Has Landed." He also would cross paths with many actors, genres, and mediums in an impressive career that lasted 5 decades. He made audiences take notice in Harold Pinter's play "The Caretaker," he made Bond "Only Live Twice" as baddie Ernst Stavro Blofeld, he made forgeries in "The Great Escape" (he was an actual POW during WWII), and tried to make sense of Michael Myers as Dr. Samuel Loomis in five "Halloween" pictures. His incredible list of roles goes on and on, with 240 of them tackled in front of the camera. As he once simply said, "I like to work."

Pleasence died unexpectedly in 1995, at age 75. In a boundary-breaking postscript, he would release another film more than a quarter century after his death — well, sort of. Using a stunt double and some measure of digital and practical trickery, a version of Pleasence appears in the 2021 Michael Myers film "Halloween Kills."

Lucas and casting supervisor Ronald Colby were having a lot of difficulty finding an actress to say "yes" to the role of LUH; the whole having to shave your head for a pittance thing wasn't helping their cause. After catching Maggie McOmie in a local production of "Marat/Sade," Colby was taken with her "very haunting quality that I thought would be appropriate for someone living in a subterranean world." McOmie said simply that "they liked my face," and was so overwhelmed at getting the part in a studio film that the thought of "getting my hair cut off was sort of secondary."

What was seen as a breakout role for McOmie turned out to be a breakaway from the industry. For the rest of the 20th century she would appear in only two short films and one feature, 1975's "Reflections of Passion." She didn't resurface in the public eye until 1992, the year Sigourney Weaver shaved her head and reprised the role of Ripley for "Alien 3."  When profiled for the L.A. Times, McOmie wrote the paper a letter to share in Weaver's "excitement at being bald and 'out there' for science fiction." The letter's author updated her status, saying "after taking several years off to raise her daughter, McOmie is again working as an actress and is now writing a screenplay."

She eventually added new credits to her resume with 2006's "The Boston Strangler" and "Grand Junction," followed by two short films in the following years.

McOmie hasn't forgotten her past, as she happily appeared alongside her director and castmates for a 2004 screening of the director's cut of "THX."

In 2021, McOmie turned 80 years old.

In Lucas' script for "THX 1138,” the grabby prisoner TWA was described as "a rather fat man in his thirties." That description helped Marshall Efron, Berkeley graduate (and "the round Mercury of Hip California" mentioned in Tom Wolfe's book "The Electric Kool-Aid Acid Test" about Ken Kesey and the Merry Pranksters) turned teacher turned actor, land the role. Two years later, in New York, Efron presented a screenplay award to his director, who had won for his much more commercial "American Graffiti." The last professional encounter between the two would be when Efron was the voice of Synonamess in the Lucas executive produced 1983 cartoon, "Twice Upon a Time."

Efron's voice was heard on many a 1980s Saturday morning cartoons, from "The Smurfs," "Shirt Tales," "The Biskitts," and "The Transformers" to "The Snorks." However, the witty humorist's greatest contribution to the medium was two short-lived, highly influential programs, PBS' "The Great American Dream Machine" (John Lennon was a big fan of the show, which guest starred the likes of Kurt Vonnegut, Chevy Chase, Studs Terkel and Albert Brooks) and CBS' "Illustrated, Simplified and Painless Sunday School," where Efron re-enacted Bible stories by his lonesome.

Efron died of cardiac arrest in 2019, at age 81. It is unclear what his famous last words were, but he did leave us with this handy guide so we could write some for ourselves.

When Irene Forrest was having her head shaved (as documented in "Bald: The Making of 'THX 1138'"), her emotions ran the gamut from being wowed to being scared. This range helped her to later get into character to play IMM, whose raw outpouring after being raped by NCH (Sid Haig above) is one of the more jarring scenes in the film.

The Brooklynite had a decent career as an actress, appearing in the TV series "Fame," "Life Goes On," and "L.A. Law," and films like "Sitting Ducks" (which earned her a best supporting actress award nomination by the National Association of Film Critics Award), "Ricochet," and "Wolf." Beginning in the 1980s, she achieved even greater success as a casting agent, credited under the name Irene Cagen. Her eye for talent stocked shows such as "My Two Dads," "Alien Nation," "The 4400," and "Crash," and films like "Playing By Heart" and "Masked and Anonymous." Cagen also taught the craft to others in Los Angeles and Portland.

After a year-long battle with a brain tumor, Cagen Forrest died in 2010 at age 65.

"Tarzan, My Father" is a 2002 memoir that Johnny Weissmuller Jr. wrote about his famous Hollywood star and Olympic swimmer senior patriarch. It was only fitting that Junior followed in his footsteps by diving into similar swimming and talent pools.

George Lucas made good use of his physique three times: first as a Chrome Robot alongside Robert Feero, then as a "badass" in his follow-up "American Graffiti," and lastly as a card player in the post-"Star Wars" trilogy TV movie "Ewoks: The Battle of Endor."

The San Francisco-based actor was also a former Navy man who worked as a longshoreman and enjoyed yacht races. In addition to the aforementioned memoir about his father, he appeared in several documentaries about him. Weissmuller aped his own heritage by providing his voice, alongside Christopher Guest, Bill Murray and John Belushi, in the English dubbed version of the first foreign-animated film to be rated X, 1975's "Tarzoon: Shame of the Jungle."

Weissmuller died in 2006 of liver cancer, at age 65. He passed away in the same hospital he was born in, California Pacific Medical Center.

Heard, but not seen, David Ogden Stiers announced his presence to the film world as an announcer in "THX 1138." That same year, he was seen and heard in someone else's feature directorial debut: Jack Nicholson's "Drive, He Said."

The Peoria, Illinois native, who went to high school with Roger Ebert, honed his craft in California in the 1960s before studying at Juilliard. After his busy 1971 in film, he took to Broadway, before becoming a household fixture when he joined the cast of the "M*A*S*H" TV series as Major Charles Emerson Winchester, III, M.D. That role would earn him two Emmy nominations, and he would add a third for playing the founder of the United States Olympic Committee in the 1984 mini-series "The First Olympics: Athens 1896."

Stiers was a dependable actor on screen, having appeared in five Woody Allen pictures, as well as films like "Better Off Dead" and "The Majestic." His vocal talents brought warmth to a varied set of projects, including Ric Burns' acclaimed "New York” documentary. Disney often called upon him, making him perhaps best known as Cogsworth the clock in "Beauty and the Beast." Because Stiers worked for the House of Mouse and other family-oriented fare, he held off for a long time from announcing to the public that he was gay.

In 2006, he and Lucas joined forces one last time, appearing on the same bill for that year's "Kennedy Center Honors."

Stiers died of bladder cancer in 2018 at age 75.