Shows Like Normal People That Drama Fans Need To See

Based on the popular novel of the same name by Sally Rooney, the BBC Three/Hulu drama miniseries "Normal People" follows the years-long on and off relationship between Marianne Sheridan (Daisy Edgar-Jones) and Connell Waldron (Paul Mescal). Their relationship begins in the latter years of secondary school in a small Irish town, during which Connell insists they keep their relationship a secret because of Marianne being an outcast at school. Later, they both end up at Trinity College, where their relationship evolves through spurts of dating and of just being friends as they navigate early adulthood. Rooney adapted the series alongside Alice Birch and Mark O'Rowe; every episode was directed by either Lenny Abrahamson or Hettie Macdonald.

The series launched to praise up and down the board, but particularly for its delicate, intimate writing and for the two lead performances — Edgar-Jones' and Mescal's — who brought the intimacy of the young adults' shifting relationship to life. James Poniewozik of the New York Times wrote of the series, "Watching it feels like walking through someone's memories, sampling crucial bits of experience and image — a bike ride, a figure reflected in a pool — that, only in retrospect, turn out to have meant everything. I found it all moving and emotionally wrecking, in the best way."

If you too watched "Normal People" and felt "emotionally wrecked in the best way" — and want to feel that way again, read on for other drama shows to check out next.

"Normal People," at its core, is an exploration of intimacy, love and relationships. Another series that tackles those topics head on is the Netflix anthology show "Easy," created, written and directed by Joe Swanberg. Set in Chicago, each episode focuses on a different storyline — although there are some overlaps in story and recurring characters — about the ins and outs of modern love. The storylines include a married couple exploring an open relationship, a writer trying to reconnect with his ex after publishing a book about their relationship, and more.

Each of the three seasons have been very well received — the show has an average 90% Tomatometer score on Rotten Tomatoes. Many critics have pointed out that the show sets out to depict honest portrayals of love and relationships — and succeeds. Jacob Clifton of The Austin Chronicle wrote, "What we find — the hidden grace, the beauty — in these eight stories is a moment, a hinge in the conflict, where honesty and openness can win the day."

Relatedly, Swanberg has been praised for his writing, above anything else, as the episodes are undeniably driven by dialogue. Fran Hoepfner of Jezebel wrote, "Swanberg's work is undeniably best when people are talking. He likes to let people talk and learn and discover things from each other, and when his characters are allowed to do that, they sound like people I know." It's this genuine, honest feel of the show that makes it so compelling as it jumps from character to character, story to story.

Created, written by and starring Phoebe Waller-Bridge (who used her own one-woman play as source material), "Fleabag" became somewhat of a delayed sensation upon its arrival on the TV landscape. While its first season was received positively, its second season blew both critics and viewers completely away. Following that second (and final) season, "Fleabag" picked up six of its 11 Emmy nominations, including a win for Outstanding Comedy Series.

"Fleabag" follows an unnamed woman living in London — played by Waller-Bridge — struggling to find a stride in her life after the death of both her mother and her best friend, Boo (Jenny Rainsford). Further, she often butts head with her sister Claire (Sian Clifford) and has a strained relationship with her very uncommunicative father (Bill Paterson) — who also happens to be dating her late mother's former best friend and the sisters' godmother (Olivia Colman). In Season 2, when her life is more on track, she meets and develops inappropriate feelings for a priest (Andrew Scott), further complicating her life.

The series was beloved by critics and received praise up and down the board — for the writing, directing, acting and other elements. In a 5/5 star review, Allison Keene of Collider wrote, "'Fleabag' distills the rawest human emotions down into the most economically precise dialogue, cutting directly to the quick, and all of it wrapped up in brightly glib packages. It's universal and also incredibly female." Adding on to that, Caroline Framke of Variety called the second season "a meticulous triumph as gorgeous as it is wrenching."

Similar to "Normal People," "Feel Good" centers on one couple and the hurdles that they face while pursuing their relationship. Created by Mae Martin and Joe Hampson, "Feel Good" stars Martin as a fictionalized version of herself. Mae is a standup comedian and recovering addict who meets a woman named George (Charlotte Ritchie) at one of her shows. The two begin dating — only to quickly face challenges, such as the details of Mae's addiction and George's reluctance to come out to her friends and family.

The series was extremely well-received, currently boasting a perfect 100% Tomatometer score on Rotten Tomatoes. Kayla Kumari Upadhyaya of The AV Club, for one, had nothing but positive things to say about "Feel Good," writing, "It doesn't always feel good to watch it, but that's part of Feel Good's magic. It tells a story full of discomfort and insecurity with self-assuredness, empathy, and charm."

Additionally, Martin received much of the praise as both the writer and star. Joshua Kosman at the San Francisco Chronicle wrote, "Martin, who co-wrote (with Joe Hampson) and stars, hits each mark of the rom-com formula faithfully — and then turns it around to make it feel unprecedentedly true to life. The result is at once uproarious and restlessly provocative." All in all, "Feel Good" shows a committed relationship is its full form — with the challenges on display right alongside the best moments.

In a similar vein to "Easy," "Modern Love" explores themes of relationships, connections and intimacy in the form of an anthology series. Developed by John Carney, "Modern Love" is based on the New York Times weekly column of the same name, in which real people write about their love stories — whether it be romantic, familial or otherwise. Each episode tells the story of one column, with the plots ranging from a dating-app CEO longing for his lost love to a middle schooler trying to come to terms with her sexuality by consulting online quizzes. The ensemble cast also boasts some recognizable names, such as Anne Hathaway, Kit Harington, Dev Patel, Anna Paquin and Tobias Menzies.

"Modern Love" received praise for its heartwarming nature, compelling stories and the charming performances from its many leads. Nicole Abadee of The Age summed this up well, writing, "I found myself cheering each set of lovers on, hoping they could work it out ... I felt a warm buzz of happiness at the end of each episode — and there aren't many shows you can say that about." Erin Carson of CNET added, "What saves it from being overly saccharine is that the stories are real, and not every one wraps up tidily."

If you're looking for a bunch of mini love stories told with charm and thoughtfulness, "Modern Love" will definitely deliver.

"Catastrophe," the British series created by Rob Delaney and Sharon Horgan (both of whom also star), presents a love story in reverse, so to speak. After a short fling with American executive Rob Norris, Irish schoolteacher Sharon Morris finds out she's pregnant. From there, Rob and Sharon decide to commit to a life together, raise their baby and pursue a relationship with one another.

Hank Stuever of The Washington Post declared it "peak TV's finest love story," which is quite the praise to live up to. But, according to most critics, it does rise to the occasion, presenting an honest, compelling look at the everyday challenges of a long-term romantic partnership. In a review of the final season, Tim Goodman of The Hollywood Reporter wrote, "The last six episodes of 'Catastrophe' are not unlike the 18 that came before — often brilliant, relentlessly hilarious and searing in the process, depicting one of TV's best and most unexpected pairings of two actors (also the creators and writers, of course), who somehow made their coupling, as unromantic as it was, believable, with every episode over the course of the series run giving off an authenticity that allowed viewers to think, 'Yeah, I can see how this works for them, even when it's not working.'"

Overall, it's clear that love is one of the most fascinating themes out there to viewers — and these shows are the perfect place to start when you want to dive into a series about love, in all of its complexities.