Small Details You Missed In Solo: A Star Wars Story

After nearly 50 years as a cinematic icon, the galaxy's scruffiest-looking nerf herder has finally gotten a film all to himself with Solo: A Star Wars Story. As all-out, action-filled heist movies go, it's out of this world. Taking place about a decade before Han meets Luke Skywalker and Obi-Wan Kenobi as they're starting out on their fateful quest in a dingy little cantina on Tatooine, Solo gives us a pretty clear backstory about the troubled — but clearly less jaded than he thinks — aspiring young space pilot. As you might expect, there's plenty of crossover to be found here; despite our hero's general detachment and well-known cynicism about all things Jedi, it's hard to escape common threads dangling from Solo and running throughout the Star Wars universe. From name-checked bounty hunters to familiar face masks and so much more, here are the small details you may have missed in Solo: A Star Wars Story.

Finally, we get to see what makes the Kessel Run so dangerous, and why it's such a big deal that Han Solo made it in less than 12 parsecs, setting to rest the ongoing dork debate about a parsec being a unit of distance, not time. Because of the fancy, roundabout flying necessary to make it through this extremely volatile and dangerous area of space, finding a viable shortcut — and surviving it — is a truly big deal.

Most viewers remember Kessel because of Han's boasting; the average run takes 20 parsecs, but the Falcon made it in 12 — that is, if you round down. By the time A New Hope rolls around, Han's story grows, and that number dips to under 12. During The Force Awakens, Rey believes the number to be 14 parsecs, which Han quickly corrects.

But that's not even the first time Kessel is mentioned in Star Wars. That occurs in the first five minutes of A New Hope, when Threepio laments the fact that the Empire, currently invading the Tantive IV, might send him and Artoo to the spice mines on Kessel. It's only in Solo that we truly see exactly why the Kessel mines are so horrible for droids, and that Threepio's terror is justified. Kessel totally sucks. Even though L3-37 staged a pretty successful robot rebellion in the mines, Star Wars Rebels: The Visual Guide confirms that the mines are subject to pretty regular rebellions, all of which seem to be more or less unsuccessful. Even a decade later, Kessel is awful.

Even though Disney threw out pretty much every Star Wars comic and book that was written before they acquired Lucasfilm, the new "canon" continuity of Star Wars is more or less a remix of the old stuff; both confusing and comforting in many ways.

Lucasfilm has been toying with exploring Han's origins since Revenge of the Sith, originally planning to feature him as an orphan boy being raised by Chewbacca. Other origins, recounted in the novels The Paradise Snare and The Courtship of Princess Leia, have basically made Solo a Corellian prince of noble lineage. At one point, Han joined the Empire, didn't fit in, and eventually saved Chewbacca from the Empire's abuse. Does that last part sound familiar?

The same goes for the Maw, the gravity well at the center of the Kessel Run. While old continuity gives the name "The Maw" to a cluster of black holes, the idea is essentially the same in Solo... plus a horrifying space jellyfish for good measure. The parallels to things viewers can find in the discarded history of Star Wars are numerous, even if we'll never, ever see a Mara Jade on the big screen.

Everything you know is wrong. For decades, all we've really known of the Millennium Falcon is that it's a temperamental, hearty little ship with weird, jutting arms out front. Dig a little deeper into the origins of the ship and you'll know that it's one of many Corellian Freighters, and that slot in the middle is used to tow heavy cargo through the galaxy. Watch Solo, however, and you might not even recognize the ship.

During Han and Lando's first trip, we see that the ship is very clean, and also unusually teardrop shaped, with a whole lot of additions made by Lando himself to make it more of a pleasure vehicle than one for just serious business. These additions include a cape room, a Dejarik holochess table, and some relatively nice sleeping quarters. The new shape of the Falcon actually reflects the original designs of artist Ralph McQuarrie.

Despite all the damage it's sustained by the end of Solo, and various parts falling off, one thing we know for sure remains aboard the Falcon is Lando's bounty hunter helmet, which we first see in Return of the Jedi when Lando enters Jabba's palace using the name Tamtel Skreej. Here, we see Beckett using the same helmet to disguise himself on Kessel.

Solo isn't littered with as many secret cameos as other recent Star Wars films, but a few are worth mentioning.

First, it would be hard to miss the unusual presence of Clint Howard, brother of director Ron Howard, and a regular face for fans of science fiction. You'll spot him as a robot wrangler when we first meet L3-37, but you might also recognize him from the classic Star Trek episode "The Corbomite Maneuver," or as environmentalist Johnny Bark in Arrested Development.

And while this is a very rare Star Wars movie that doesn't feature C-3PO, it still features the Droid's actor, Anthony Daniels, as Tak, a character that teams up with Chewbacca during the escape from Kessel. This marks the third character Daniels has played in Star Wars, having appeared as Dannl Faytonni in Attack of the Clones and Revenge of the Sith.

Of course, there's also Darth Maul, played again by actor Ray Park, but voiced by Maul's Clone Wars voice actor Sam Witwer. Casual Star Wars fans might be absolutely perplexed by Maul's reappearance after being chopped in half and falling down a bottomless pit during his first film, but his complicated history — and his new robotic legs and home on Dathomir, along with his fancy new lightsaber — very strangely and unexpectedly tie into Solo when we find out that Maul is kind of Vos and Qi'ra's boss.

Finally, we have Warwick Davis, who's been a part of Star Wars since the very beginning, playing multiple characters, but most notably Wicket the Ewok. Of all of his Star Wars characters, only one is unmasked: Weazel, a scuzzy spectator at the Boonta Eve podrace on Tatooine during The Phantom Menace. An unmasked Davis appears again as a member the Cloud Riders, once again credited as Weazel. Going from a racing junkie on a dirt planet to being one of the galaxy's founding freedom fighters is an arc to parallel anyone else in Star Wars, so if this is indeed the same Weazel, it's an arc we need to see.

In addition to preceding A New Hope, Solo also takes place before Rogue One: A Star Wars Story, and the film overtly tells us as much by including Scarif among the many familiar planet names that are dropped by characters throughout. While there are plenty of other familiar locales that should make Star Wars' aficionados' ears perk up — Beckett wanting to get back to Glee Anselm, Mimban being the muddy site of Han and Chewie's imprisonment — the mention of Scarif is about much more than letting us know it's still intact in the timeline of Solo. It also reaffirms just how gutsy the events of Rogue One really were.

Scarif is mentioned by Qi'ra (Emilia Clarke) as a possible source of some replacement coaxium after Beckett's team muffs their attempt to boost some from a train in Vandor-1 thanks to the unexpected arrival of Enfys Nest's "marauders." That option is quickly passed over because of the heavy security surrounding the planet, and the group instead opts to risk the Kessel Run (and being incinerated by unstable fuel cells) rather than even take a chance at Scarif. In other words, Jyn Erso and her band of rebels were even braver than we knew.  

Throughout Solo, there are a lot of Easter eggs for fans, from the mention of Aurra Sing's assassination to the design of the Millennium Falcon that hearkens back to Ralph McQuarrie's original drawings. Some are a little more obscure than others, though.

Lando Calrissian, for example, uses some downtime to chronicle his adventures via hologram and makes mention of the alien Sharu. This is a major nod to L. Neil Smith's Lando Calrissian and the Mindharp of Sharu, a novel which offers its own pre-war adventure tale of Lando and a droid going on a treasure hunt. The book also spells out the detailed parameters of the card game Sabacc, so perhaps this was director Ron Howard's way of saying thank you. The book and its sequels might not have gotten much onscreen love in the past, but the scene seems to finally give weight to those crazy adventure stories (embellished as they may have been).

Solo also gives a nod to Phil Tippett and Jon Berg's missing holochess characters, Bulbous and Scrimp, which were omitted from the Dejarik boards shown in A New Hope and The Force Awakens but were kept by the artists as souvenirs of their Star Wars adventures. In a Solo scene aboard the Millennium Falcon, Chewbacca is shown learning the game with Beckett and attempting to wipe the pieces away in a moment of typical frustration, causing two pieces to blink out of existence.

In Solo, Han's driven by two central desires: rescuing his gal pal Qi'ra from Corellia — then the clutches of Dryden Vos and the Crimson Dawn — and earning his wings as a bona fide pilot with his own ship. By the time we meet him in A New Hope, however, he's become a full-fledged smuggler with a homicidal former client in Jabba the Hutt, driven mostly by his greed (and the bounty on his head).

Solo teases that future, even after painting Han as the good guy for his contribution to Enfys Nest's burgeoning rebellion, by telling us what his next move will be. Beckett earlier makes mention of a rumor that "a big shot gangster is putting together a crew" on Tatooine, and Han decides to follow that lead. "Big shot gangster" might not be the most obvious way to describe Jabba the Hutt, but it's still pretty clear that's where he's headed, for better (meeting Luke) and for worse (ripping off Jabba and getting frozen in carbonite for his transgression).