The Most Bizarre Reasons Actors Took A Movie Role

What makes an actor decide which roles to take? Of course, Hollywood newcomers snag what they can get, hoping to finally receive their big break. But once an actor is more established, they can be more selective, as they might be able to turn something down due to scheduling conflicts or because it doesn't align with what they want. On the flip side, some stars get offered a part simply because of who they are. 

As "Arrowsmith" star Helen Hayes once declared, "Roles aren't being fitted to the actors anymore; the actors are being fitted to the roles." (via The New York Times). In her 20s, Hayes found herself typecast and became obsessed with trying to stay away from the cute and charming characters she was known for and for many actors, playing against type is exactly why they take on a role.

Sometimes, however, a celeb will agree to a role because they made a genuine mistake. Bill Murray, who famously starred in the critically panned "Garfield" in 2004, told GQ that he took the part because of a complete misunderstanding. He saw that Joel Coen wrote the script and jumped at the opportunity to work with the Coen Brothers ... only to realize after the fact that the writer was Joel Cohen, one of the writers for the original "Toy Story."

Fumbles aside, the following stars signed onto various movies due to unconventional motives, ranging from the tragic to downright hilarious. These are the bizarre reasons actors took on a movie role.

Warning: some spoilers below.

Nicolas Cage has had an absolute roller coaster of a career. The nephew of famed filmmaker Francis Ford Coppola has starred in what seems like countless movie roles – and for a good reason, too. According to CNBC, the "Mandy" star was once worth a whopping $150 million, yet saw his funds dwindle after making repeated outrageous purchases, such as shrunken pygmy heads, a "Superman" comic worth $150,000, a nine-foot-tall burial tomb, an octopus, and a dinosaur skull that was 70 million years old (which he later had to give back to the Mongolian government).

However, it wasn't Cage's love for the bizarre that saw him squander away his hard-earned dollars; according to the actor, it was his ever-growing real estate portfolio, which once saw Cage owning 15 different properties around the world. "You're not going to go into dire straits buying an octopus," Cage matter-of-factly told The New York Times in 2019. Instead, he began buying real estate in what he dubbed a "holy grail quest" — to find places that aligned with the mythology books he was reading.

Regardless of the reason, Cage suddenly found himself in significant debt. Per GQ, he spent a decade taking on as many movie roles as he could to pay them off (46, to be exact), dubbing the experience "a conveyor belt." By late 2020, he claims to have finally paid everything off.

Francis Ford Coppola's "The Godfather" is one of the best gangster movies of all time. One of the many reasons it was so successful was Marlon Brando's role as Vito Corleone, the aging family patriarch, who enlists his youngest son Michael (Al Pacino) to take over the family business.

As it turned out, getting Brando to star in the now-iconic part proved challenging from the get-go. According to Vanity Fair, Brando — who was in his late-40s — was viewed as a Hollywood has-been for almost a decade. His age was the least of his problems though; his on-set behavior left filmmakers frustrated, while his movies themselves were box office duds. Brando's personal life was also in shambles, as he was going through his third divorce, was addicted to Valium, and was crippled by debt. 

It was Mario Puzo, the author of the novel that the film was based on, who championed the actor. Puzo wrote a letter to Brando about the part, which fell into the hands of the star's secretary, Alice Marchak. Brando wasn't interested in working at all but Marchak saw that he needed a job for psychological and financial reasons. She finally struck a deal with him: He promised he would only take one Valium a day and decided to sign on for three films (via Vanity Fair). 

Brando continued to brush off the role of Corleone, however, because he didn't want "to glorify the Mafia." So, Marchak finally delivered the nail in the coffin: She played into Brando's jealous nature by telling him that Laurence Olivier was testing for the part. "Laurence Olivier! He can't play a Mafia don!," Brando declared, and just like that, he pushed Coppola for a screen test.

If you or anyone you know needs help with addiction issues, help is available. Visit the Substance Abuse and Mental Health Services Administration website or contact SAMHSA's National Helpline at 1-800-662-HELP (4357).

The 2009 family-friendly spy comedy "G-Force" wasn't exactly a hit with the public. The movie, revolving around a team of SWAT-style guinea pigs determined to save the world from a crazed billionaire, seems objectively bizarre. Even so, a slew of talented stars, such as Bill Nighy, Penélope Cruz, and Zach Galifianakis, all agreed to work on the flick.

It's not surprising that "The Hangover" star has a special relationship with cannabis and has even gone as far as to light up on national television. As he told Rolling Stone, while living in Vancouver, Canada in the early aughts, he even sold edibles on the beach. When he was asked to audition for "G-Force," Galifianakis was stoned, so he agreed to go in for the part.

Galifianakis plays Ben, a man tasked with training the guinea pigs. He spoke to ComingSoon.net about the audition process, noting that there was no script when he came to try out for the part — only five pages of material. "[Producer] Jerry Bruckheimer's office is near my house in Venice, and it happened pretty easily. I just went and read and next thing you know you're in a talking guinea pig movie."

The 1995 David Fincher-directed masterpiece "Se7en" remains a timeless thriller to this day. Detectives William Somerset (Morgan Freeman) and David Mills (Brad Pitt) are tasked with tracking down John Doe (Kevin Spacey), a murderer who bases his kills on the seven deadly sins. Targeting his victims by their personal transgressions (pride, greed, lust, envy, gluttony, wrath, and sloth), it's the last sin-inspired murder that haunted audiences the most.

Doe's final murder is inspired by the envy that he feels towards Mills and his wife Tracy (Gwyneth Paltrow) and the life they have together. Doe tells Mills and Somerset the location of the alleged final body, and when the detectives arrive, a van approaches and delivers a box with Tracy's severed head (which is never explicitly shown). 

As Pitt revealed in an interview years later with Entertainment Weekly, it was actually his idea never to show the grisly discovery — and he refused to shoot "Se7en" any other way. "Put in the contract that the head stays in the box," he recalled telling Fincher. He also had one other stipulation for his contract: that David shoot John Doe in the end, not because it's the "right thing" but because it's "the thing of passion."

Thankfully, the hard work put into Paltrow's fake head didn't go unused. According to Movie Prop Rentals, director Steven Soderbergh later repurposed it for 2011's "Contagion."

Trigger warning: sexual assault.

Mena Suvari, who rose to prominence in the late 1990s and early 2000s for her roles in "American Pie" and "American Beauty," had an incredibly rough childhood growing up, which affected the parts she chose to take early on in her career. 

In her autobiography "​​The Great Peace," Suvari recalls being sexually assaulted by one of her brother's friends at age 12. As an interview with The Guardian disclosed, around the time of the assault, the young star began her modeling career and appearing in commercials. She started being treated like an adult, even though she was just a child, and was praised for looking sexy and older than she was.

By the time she was a teenager, the sexual abuse had resumed at the hands of her boyfriend, a lighting engineer. "I was not being loved. I was just a body, a receptacle for his desires," Suvari wrote in her memoir (via The Guardian). 

Thankfully, acting became a form of escapism for the star, who made a lasting imprint in 1999's "American Beauty." The movie centers around Lester Burnham (Kevin Spacey), who lusts after his teenage daughter's best friend Angela (Suvari).

"I identified with Angela," she told The Guardian, adding, "I knew how to play that role, because I was so schooled in it. 'Oh, you want me to be sexually attractive?' Done. I felt unavailable in a million other ways, but I knew how to play that card."

Suvari says that she signed on to do "American Beauty" to escape the abusive situation she was dealing with off camera, as the movie allowed her to feel loved and important.

If you or anyone you know has been a victim of sexual assault, help is available. Visit the Rape, Abuse & Incest National Network website or contact RAINN's National Helpline at 1-800-656-HOPE (4673).

Ryan Gosling has had quite a long career in Tinseltown, which began when he was a kid, who starred as one of the iconic Mouseketeers in "The All-New Mickey Mouse Club" alongside Britney Spears and Justin Timberlake. From there, he appeared on numerous children's shows, but it was not until 2004's "The Notebook ” that he achieved heartthrob and romantic leading man status.

Finally, with 2010's "Blue Valentine," Gosling began to be taken more seriously as an actor. As he explained to ScreenRant in 2011, his role in the drama involved a lot of talking and improvisation, followed by a press tour that, of course, required more speaking. "I was just tired of my own voice ... the more I talked, the less I felt like I was saying," he recalled. 

So, getting the opportunity to star in Nicholas Winding Refn's hit neo-noir "Drive" in 2011 seemed incredibly appealing, partly because audiences barely know anything about his character.

In "Drive," Gosling appears as a man merely called "Driver" — a stuntman by day and a getaway driver for criminals at night. At its core, the film is a love story between Driver and his neighbor, Irene (Carey Mulligan). 

Although Gosling doesn't speak much in the movie, his actions become the perfect form of expression. "I don't think you need all this talking," the actor shared in an interview promoting the film (via TheCelebFactory). "Sometimes it's easier to get the point across if you're not saying something," he explained, adding that he found relief in the less verbal role.