The Greatest Acts Of Revenge In Movie History

Revenge might be a dish best served cold, but these films delivered fire with their pivotal moments of payback. Whether it was an entire film's worth of elaborate plotting and execution (so to speak) or a single moment of sweet recrimination, these movies delivered some of the all-time tastiest theatrical moments of spite. Here's how. 

Minny Jackson (Octavia Spencer) might have been reluctant to talk about the "terrible, awful" thing she did to Hilly Holbrook (Bryce Dallas Howard) in the 2011 screen adaptation of Kathryn Stockett's The Help, but we're more than willing. In the story, which is set smack dab in the middle of Mississippi during the civil rights movement of the '60s, Minny is long-suffering maid to the horrible Hilly, the self-declared moral authority around town who leads the community charge to segregate in-home bathrooms.

Minny is fired by Hilly for using the guest restroom rather than brave a storm to access the outhouse facilities she's been instructed to use, but she makes Hilly eat her cruel words by cooking her a chocolate pie that contains a new special ingredient: Minny's poop. It sounds foul, but it's actually quite a delicious moment to watch as Hilly's brain catches up with her ears and understands what she's just been told about the dessert she's still ravenously chowing down. Yum.

Trekkies had an extra reason to get excited about the return of Khan Noonien Singh (Ricardo Montalban) in the second cinematic Star Trek iteration: it was in real time. The megalomaniacal Khan had been exiled by Captain Kirk (William Shatner) in a Star Trek TV episode called "Space Seed" 15 years before for his part in starting the superhuman Eugenics War on Earth in the 20th Century. He was sent to live on Ceti Alpha V, whose ecosystem was later destroyed by another planet's explosion, killing Khan's wife in the process. In Star Trek II, Khan has not only escaped prison, he's stolen the Genesis device, which can make barren planets habitable.

Khan successfully overtakes Kirk's ship, the Enterprise, and threatens Kirk's crew in an effort to obtain all the information they have on the Genesis. Spock (Leonard Nimoy) sacrifices himself to save the Enterprise, which has been hobbled and flooded with radiation from an earlier attack, and needs to escape the detonation from Khan's eventual use of the device. In the process, Khan creates a new planet that is indeed habitable—and creates a whole new world of mess for the crew to grapple with in Star Trek III: The Search for Spock.

Both the Swedish and American film adaptations of The Girl with the Dragon Tattoo gave fulfilling screen life to Stieg Larsson's complex literary heroine Lisbeth Salander (played by Noomi Rapace and Rooney Mara, respectively). Part of their success stems from the fact that in each version, the trauma the character endures at the hand (and other body parts) of her assigned legal guardian, Nils Bjurman, is as uncompromising on the screen as it was in the books, underscoring the viewer's hunger to see Lisbeth achieve her richly deserved vengeance.

After she's repeatedly taken advantage of by Bjurman, he violently rapes her and threatens to compromise her funds and freedom if she turns him in for the crime. Rather than running to the authorities with her secret recording of the incident and being assigned another new guardian, she instead sets out to secure her own freedom—but only after delivering Bjurman his own bodily violation, which includes sodomy and an abdominal tattoo signifying his status as a sadistic rapist and pig. (She also tracks him down after he visits a tattoo removal shop, to ensure that this ink really does stay permanent.)

A father's love is supposed to know no bounds, but when it came to one businessman, a cool five million was enough to put his own daughter in harm's way. In this 2004 action-drama, a retired CIA operative named John Creasy (Denzel Washington) takes a gig as the bodyguard-slash-babysitter of a nine-year-old girl named Pita (Dakota Fanning), but comes to find that the job entails a lot more than mere child's play.

When the girl is kidnapped in Mexico, the injured Creasy gets to work finding and systematically slaughtering her captors, but in the end, he discovers that her father had staged her abduction for the sake of collecting his own ransom money—and she's in a lot more danger than even he could have anticipated. Creasy, who'd left one in the chamber of his gun after it misfired during his own suicide attempt, hands the weapon over to the man who caused all of this mess, and guess what? It works this time. (Of course, Creasy also rescues the girl...and sacrifices himself in the process of returning her safely to her mother).

The saga of Andy Dufresne's (Tim Robbins) false imprisonment at Shawshank made for one of—if not the—best films of its decade, and part of its enduring intrigue is the utter beauty with which Andy's escape-slash-payback sequence plays out. Yes, the man who actually committed the crime for which Andy was convicted ultimately finds himself in jail, but he isn't the one who earns Andy's true wrath.

Shawshank Warden Norton (Bob Gunton) had the opportunity to free Andy after evidence of his wrongful imprisonment came to light, but instead of doing so, he punished Andy further—all the while, relying on Andy to cook his books so he can launder money using a fictional alias. After Andy literally crawled his way through the walls and on to freedom, though, it's the warden who suffered; not only did Andy adopt the warden's own alias to siphon off his unearned loot, but he turned evidence of Norton's crimes over to the feds, leaving the warden no choice but to off himself in his office. Yow.